高中独自赴美读书，大学考上曼荷莲女子学院的22岁女生vv，在受到自身原因以及各种文化思潮影响之下选择了退学回国，在西安这座生养她的城市里再次启程，组织了一只属于自己的朋克乐队，且积极参与女性主义活动。但这些并没有直接的因果关系，就像她说的一样，创作诗歌与音乐，只是为了表达她自己，只是因为她爱她自己，因此她还是会在这个不友好的世界里保持愤怒与激情，创作诗歌与音乐，深爱自己与“不良”。

Expressing desire, pursuing dreams, loving oneself, questioning the oppressive confines of patriarchy. Farida Baqi takes us on a lyrical and emotional journey through the life of a young woman from birth to adulthood in an unnamed Arab city.

Expressing desire, pursuing dreams, loving oneself, questioning the oppressive confines of patriarchy. Farida Baqi takes us on a lyrical and emotional journey through the life of a young woman from birth to adulthood in an unnamed Arab city.

1970年法国女性解放运动的领袖─克里斯廷戴尔菲，她推动女性合法堕胎、探讨妇女在家事劳务上所遭受的剥削，本片还原当年法国女同志与女性解放运动切割的过程。戴尔菲是温和理性的学者，不只省思女性主义的过去，更对于未来有前瞻性的看法，也能客观地分析女性主义者面对理想与现实生活的两难困境。

Jane Fonda narrates the story of the years between the ascent of talkies until late in 1934, when the Hays Office cracked down on what it perceived as immorality in Hollywood movies. The emphasis is on how women were portrayed, and focuses on how they were much more liberated and equal (or superior) to men, until 1935 when they once again took subservient roles to their male co-stars.