纪录雷恩雪铁龙工厂的内部情况，刚开始，影片似乎为了这种集体群体合作式的生产表示赞赏，但逐渐，影片基调急转直下，转而批判起这种单调毫无活力的生产方式。

莉拉（帕特丽夏·阿奎特 Patricia Arquette 饰）崇尚自然，是一位自然主义者，然而她的男友内森（蒂姆·罗宾斯 Tim Robbins 饰）却是个实实在在的教条主义者，这两个性格和生活理念截然迥异的人，他们的爱情能够长久吗？最终，选择放弃自我的那个人是莉拉。 一个名为帕弗（瑞斯·伊凡斯 Rhys Ifans 饰）的男人的出现打破了莉拉和内森之间艰难维系的平衡，帕弗从小就跟随着父亲生活在深山老林之中，外表和内心都和“野人”无异。内森兴致勃勃地要在帕弗身上开始自己的计划，而莉拉却感到了犹豫和矛盾。一边是被压抑的真性情，一边是和恋人多年的感情，莉拉会做出怎样的选择呢？

这支小CG动画来自Eaza Shukla导演，发布于TheCGBros平台。讲述了一个可爱的圆形“蛋蛋”，充满对这个世界的好奇而来到了货架上，它静静地等待被善良的主人领走。可是日复一日，他身边的小伙伴都一个个找到了自己的主人，唯独它还依然待在货架上。它的心情有点惆怅，这时，一只手向它伸了过来，它开心地咧嘴笑了。他被装进盒子里，送给了下一任主人，可是盒子刚打开，又盖上了。就这样如此循环往复，终于还是没有人要它。于是，它做出了一个大胆的决定。 　　看到这个“蛋蛋”的一生，你是否也感同身受呢？我们在一些场合里，可能也因外表而不被人喜欢，纵使你有一颗华丽而璀璨的内心，可外人无从知晓。他已经否定了你，便不会再去了解你的内心。但我们和它不同的是，我们有能力自己改变，我们有可能让自己变得更好。所以，请抛开你所有极端的想法，如果你不完美，那就让自己改变吧！

由四名香港導演聶凌、曾憲寧、嚴嘉兒及李兆龍合拍而成的短片集

由四名香港導演聶凌、曾憲寧、嚴嘉兒及李兆龍合拍而成的短片集

猪、鸡、奶牛和羊羔组成的动物家庭在周日的乡间野餐，附近吃草的野女孩却因前者的嗜肉欲望而沦为宰杀对象。影片将人兽化并赋予动物人性，挖掘人与食物的关系中隐含的肉欲成分并讨论摄取的过剩问题，迅速宰杀行为在观众的想象中加剧了暴力。在情节上避免道德化处理的同时也表达了对极端解决方式的批判。

こんなこと考えたことはありませんか？ 　　もし、仲の良い隣の住民が恐ろしい殺人鬼だったら…。 　　もし、大好きな恋人が実はとんでもないサイコパスだったら…。 　　一見“良い人”と感じているあの人も、ふとしたきっかけで“狂気に満ちた人間”に豹変してしまう・・・。 　　そんな「ヒトのコワさ」に迫ったのがこの「ヒトコワ」シリーズです！ 　　前作は、2012・13年とDVD・配信で発表されて以来、 　　WEBを中心に浸透していき、全く幽霊のでないホラーとして、 　　「ヒトコワ系」という言葉を生み出しました。 　　今回のシリーズも、ブレることなく“ヒトがコワい”1話完結のストーリーでお届けします！

影片故事来自米兰-昆德拉的短篇小说，由Pavel Jurácek和导演Hynek Bocan共同执笔改编，是捷克新浪潮电影中的一部重要作品。获1965年德国曼海姆-海登堡国际电影节金奖。 　　In this Czech comedy, an art critic is hounded by a determined man who wishes to publish his manuscript about a famous artist. When the critic receives the author's work, he sends a letter wishing the man luck without reading a single page. The determined author forces the art critic to tell him what he thinks of his manuscript. In the meantime, the writer loses his job, his girlfriend, and falls out of favor with the Communist Party before learning his literary efforts are no good. 　　Czech filmmaker Hynek Bocan largely eschewed the conventions of his country's New Wave cinema in favor of making well-crafted, traditional literary adaptations. A graduate of his native Prague's prestigious FAMU in 1961, Bocan started out working at the Barrandov Film Studio, assisting such filmmakers as Karel Kachyna, Jan Nemec, and Jiri Weiss. In addition to directing, Bocan collaborated on the screenplays of all of his films. He made his directorial debut with Nikdo se Nebude Smat/No Laughing Matter (1965). In 1969, while working on his third film, Pastak/The Decoy, Bocan encountered political differences with his government and was prevented from completing the production; it was not until 1990 that the film was finished and released. Unable to work in features, Bocan turned to television to co-write and direct the nine-episode series Zahada Hlavolau/The Mystery of a Brain Teaser. In 1974, Bocan was allowed to return to filmmaking, and he released Muz z Lonyna/The Man From London. Bocan has subsequently divided his time between feature films and television.

改编自同名漫画。 　　被继母赶出家门的富三代，竟意外和巨星开始同居？富三代车恩明和继母吵架后离家出走，没有地方可以住的她，只能暂时借住在她唯一的朋友熙英的二哥家里。一个月后的某一天，恩明刚洗完澡，却发现熙英的二哥竟突然回到家中。可没想到…熙英的二哥居然是巨星“帝俊英”？！

Young black man about town, "Lamont" pushed by the constant surveillance of his everyday life , discovers the real power is off screen. At the same time an actress, Iris refuses to "die" in a casting, which in turn piques the interest of the director. She returns to her east Village apartment she shares with another actress, "Mira" who is desperate for fame whatever the price. Iris retreats in her room, seemingly setting off a trend of people saying no, one of them being Kurt who disappears from the movie being shot outside her house. As Iris searches for something real, in the city and in herself, Lamont sets off a wave where the real nobodies step out and into control.