影片的故事围绕萨曼莎展开，她在上学途中被一只神秘的巨型兔子绑架。15年后，当她在医院醒来时，对自己居然还活着感到非常震惊。格林博士在她身旁，试图帮助她恢复记忆。在萨曼莎的记忆中，她曾被困在一个地下监狱，在那里有人强迫她玩游戏、解谜语和谜题，并设有奖罚机制。与此同时，一位生命垂危的天才前调查员也在调查这一神秘案件。

该片故事讲述萨曼莎(瓦伦蒂娜·贝莱饰)在上学途中被一只巨型兔子绑架。15年后，在医院的她很震惊她还活着。格林博士在她身旁，试图帮助她回忆。在萨曼莎的回忆中，她被困在一个地下监狱，在那里有人强迫她玩游戏、解谜语和谜题，还有奖罚机制。同时一位命不久矣的天才前调查员也在调查这桩神秘事件。

Co-directors Tilda Swinton and Bartek Dziadosz travel the world to understand what it means to learn, and along the way uncover playful food for thought – for adults and young people alike. 　　What does it mean to learn? Academy Award® winning actor Tilda Swinton and Bartek Dziadosz travel between the UK, Bangladesh, West Africa and North America, probing the experiences of young people and exploring the role of education in our past, present and future. Swinton plays researcher and Dziadosz filmmaker in their second feature collaboration (the first was one of the chapters of The Seasons in Quincy: The Four Portraits of John Berger). The result, produced by the Derek Jarman Lab, is a beautiful cinematic rumination. Drawing insights from scientists, farmers, philosophers, educators and children, this warm and engaging film highlights how, in a complex world, we must never stop being curious.

由萨尔瓦多·西姆（SALVADOR SIMÓ）联合编剧并执导的西班牙、法国合拍动画电影《布努埃尔在神龟迷宫中》则获得了特别评委会奖。这部电影捕捉了超现实主义电影大师布努埃尔和他的朋友兼资助人拉蒙的生活片断，他们在着手制作一部令人出乎意料且野心勃勃的关于西班牙拉斯维德地区的纪录片。

由萨尔瓦多·西姆（SALVADOR SIMÓ）联合编剧并执导的西班牙、法国合拍动画电影《布努埃尔在神龟迷宫中》则获得了特别评委会奖。这部电影捕捉了超现实主义电影大师布努埃尔和他的朋友兼资助人拉蒙的生活片断，他们在着手制作一部令人出乎意料且野心勃勃的关于西班牙拉斯维德地区的纪录片。

伊斯坦布尔有一家专门收购银行坏账催讨欠款的公司，许多债主被逼到穷途末路。直到一个年轻女孩的出现，事情似乎有了转机。土耳其导演通奇·沙欣自编自导的这部构思精巧、充满小慧黠的电影，以三线穿插的不同视角叙事带领观众亲历电话套路、信贷诈骗这类屡见不鲜的社会诈骗案。三位颜值与演技俱佳的青年演员带出层层悬念，丝丝入扣地揭开社会现实弊病，剧情的多次反转绝对出人意料。影片荣获2020年安塔利亚金橙电影节最佳剧本、最佳女配角奖。

伊斯坦布尔有一家专门收购银行坏账催讨欠款的公司，许多债主被逼到穷途末路。直到一个年轻女孩的出现，事情似乎有了转机。土耳其导演通奇·沙欣自编自导的这部构思精巧、充满小慧黠的电影，以三线穿插的不同视角叙事带领观众亲历电话套路、信贷诈骗这类屡见不鲜的社会诈骗案。三位颜值与演技俱佳的青年演员带出层层悬念，丝丝入扣地揭开社会现实弊病，剧情的多次反转绝对出人意料。影片荣获2020年安塔利亚金橙电影节最佳剧本、最佳女配角奖。

本片从数学与人的关系出发，介绍数学作为最基础学科对于人类文明进程的意义。通过现实生活中数学的体现，如计时、建筑、音乐、天气预报等，介绍数学的应用。同时，通过对数学家的访谈，了解这些“被数学选中的人”是如何看待数学、看待科学演进的。（转自CCTV节目官网）

本片从数学与人的关系出发，介绍数学作为最基础学科对于人类文明进程的意义。通过现实生活中数学的体现，如计时、建筑、音乐、天气预报等，介绍数学的应用。同时，通过对数学家的访谈，了解这些“被数学选中的人”是如何看待数学、看待科学演进的。

Director Arthur Hiller (Love Story, Silver Streak), working from screenwriter Edward Anhalt's (Becket) adaptation, transforms actor-playwright Robert Shaw's The Man in the Glass Booth into a film the Los Angeles Times dubbed, "daring, outrageous, utterly provocative, endlessly ambiguous and strikingly effective." 　　Millionaire Jewish entrepreneur Arthur Goldman (Maximilian Schell) benvolently rules his financial empire from a penthouse apartment overlooking Manhattan. Seemingly at the edge of sanity, Goldman holds forth on everyting from Papal edicts to ex-wives, from baseball to his family's massacre in a Nazi concentration camp. When Goldman remarks on a blue Mercedes continuously parked outside his building, Goldman's captive audience of assistant (Lawrence Pressman) and chauffeur (Henry Brown) dismiss their boss' anxiety as encroaching paranoia. But each of Goldman's passionate, seemingly capricious ravings are transformed into a shocking, inadvertent deposition when Israeli agents capture Goldman and put him on trial as Adolph Dorf, the commandant of the concentration camp where Goldman's family was supposedly exterminated. In a trial scene of unrelenting intensity, Academy Award© winner Schell (Judgement at Nuremberg) crafts what the Detroit Free Press called "a white-hot lead performance," mutating from eccentric Goldman to sociopath Dorf and beyond. The riddle of Dorf's true identity becomes wrapped in an enigma of cunning self-treachery and single-minded obsession. 　　Veteran cinematographer Sam Leavitt enables Hiller to coax a vividly personal and electrifying intelligent dual portrait out of Schell. The Man in the Glass Booth is a timeless drama of surprising intimacy and indefatigable courage, "possessing," declared the Los Angeles Times, "a remarkably resilient sense of lightness for all the profound questions it ponders."