韩剧《STAR STRUCK 追星》改编自同名小说，讲述了与青梅竹马赵有才（白朱豪 饰）和徐汉俊（金仁成 饰）之间的爱情故事。 　　两个贫穷的少年唯一让他们感到可以放松的安身处便是在夜空下布满着星星的游乐场。汉俊本来以为只有他会在那里仰望星空，殊不知同一个空间里还有其他人。汉俊向他问好，那个孩子也回应到“你好”。在布满星星的夜空下，孤独且贫穷的两个少年，汉俊和有才就这样相遇了。 　　汉俊和有才在初中时初次见面后，考上了同一所高中，并且正努力的想要再考上同一所大学。与充满魅力的尹彩英（蔡秀雅 饰），总是小心翼翼的朴振焕（朴泰仁 饰）还有全身心专注于学习的李仁圭（权山 饰），与这样各式各样的朋友们一同度过着激烈的高三学生日常生活，但汉俊始终感觉到只有自己跟有才在一起的时候玩得最有趣最开心。因此，在某一天汉俊意识到了自己现在内心的感情所萌发的不仅仅只是友情，而是其他的。某一天，一直以来暗恋着有才的彩英决定要告白，汉俊在听到这个消息后开始心乱如麻。意识到自己内心真正情感的汉俊决定要整理自己内心。 　　对于一个少年来说是独一无二的友情，但对另一个少年来说却是是一份独一无二的爱情，像星星一般闪耀的青春故事就此展开。

A friend of mine had rented "Shiner" only because the clerks at his local video store were talking about "how much of a bigot the director is," implying that homophobia was at the root of the film (apparently these folks never watched the special features on the DVD, which totally negates that opinion). My friend took the video home and reported to me his fascination with the film; at the same time, he felt aroused, repulsed, intrigued and frightened during and after the flick. He told me about the premise of the film, and felt somewhat ashamed for finding some of its darker content erotic. 　　 　　A few weeks later, I picked up the film and had a similar experience. I was confused; in the queer movement were taught so much about power dynamics and organize ourselves to fight violence, but here was a dramatically different take on the subject. What ended my confusion was the interview with writer/director Christian Calson on the DVD. The line of his that grabbed me the most: "I didn't want to make another gay romantic comedy." Things suddenly made sense to me. So many queer, I mean, gay films (ahem) are merely homo-remakes of mainstream romantic comedies. As queers, our message got lost as we sought inclusion in a particular medium. So, in what might be the most post-modern move of a writer/director in film history, Christian Calson sought to queer gay cinema. (Yes, I'm using queer as a verb.) He later supports this argument by talking about a form of "post-gay liberation" in which gay leaders shouted "We're doctors! We're lawyers! We're teachers!" to the point our difference and diversity became invisible. "We're just like you" led to us becoming nothing, in a sense. 　　 　　While the movie is disturbing at times, it's thoroughly engaging. The audience member feels like a voyeur, peeping into the lives of these three "couples." And through that voyeurism, we come to a closer understanding of the elements of violence and how it relates to queerness. From self-loathing to internalized homophobia, from bitter rage to being just plain f'ed up, "Shiner" takes us through a mini-gamut of how violence affects us all, in ways no PSA or "the More You Know" segment could ever hope to address. 　　 　　I highly suggest that you pick up the DVD of the film and watch the special features, including the Calson interview and the commentary, which is a noteworthy production in its own right.

A friend of mine had rented "Shiner" only because the clerks at his local video store were talking about "how much of a bigot the director is," implying that homophobia was at the root of the film (apparently these folks never watched the special features on the DVD, which totally negates that opinion). My friend took the video home and reported to me his fascination with the film; at the same time, he felt aroused, repulsed, intrigued and frightened during and after the flick. He told me about the premise of the film, and felt somewhat ashamed for finding some of its darker content erotic. 　　 　　A few weeks later, I picked up the film and had a similar experience. I was confused; in the queer movement were taught so much about power dynamics and organize ourselves to fight violence, but here was a dramatically different take on the subject. What ended my confusion was the interview with writer/director Christian Calson on the DVD. The line of his that grabbed me the most: "I didn't want to make another gay romantic comedy." Things suddenly made sense to me. So many queer, I mean, gay films (ahem) are merely homo-remakes of mainstream romantic comedies. As queers, our message got lost as we sought inclusion in a particular medium. So, in what might be the most post-modern move of a writer/director in film history, Christian Calson sought to queer gay cinema. (Yes, I'm using queer as a verb.) He later supports this argument by talking about a form of "post-gay liberation" in which gay leaders shouted "We're doctors! We're lawyers! We're teachers!" to the point our difference and diversity became invisible. "We're just like you" led to us becoming nothing, in a sense. 　　 　　While the movie is disturbing at times, it's thoroughly engaging. The audience member feels like a voyeur, peeping into the lives of these three "couples." And through that voyeurism, we come to a closer understanding of the elements of violence and how it relates to queerness. From self-loathing to internalized homophobia, from bitter rage to being just plain f'ed up, "Shiner" takes us through a mini-gamut of how violence affects us all, in ways no PSA or "the More You Know" segment could ever hope to address. 　　 　　I highly suggest that you pick up the DVD of the film and watch the special features, including the Calson interview and the commentary, which is a noteworthy production in its own right.

Maxime, un jeune homme de 25 ans, débarque à Paris, mais souhaite rejoindre Justine, la femme qu'il aime, en Inde. Au bar de l'hôtel Raphaël, il fait la connaissance de Jack Lesterhoof, un riche homme d'affaires qui lui propose de devenir son interprète pour un rendez-vous important. Maxime accepte. 　　Les deux hommes deviennent bientôt amis. Jack décide de faire un break, de rompre avec la routine et d'accompagner Maxime en Inde.

Maxime, un jeune homme de 25 ans, débarque à Paris, mais souhaite rejoindre Justine, la femme qu'il aime, en Inde. Au bar de l'hôtel Raphaël, il fait la connaissance de Jack Lesterhoof, un riche homme d'affaires qui lui propose de devenir son interprète pour un rendez-vous important. Maxime accepte. 　　Les deux hommes deviennent bientôt amis. Jack décide de faire un break, de rompre avec la routine et d'accompagner Maxime en Inde.

Facing escalating threats from a dangerous stalker, a pop megastar begins falling for the handsome bodyguard she's hired to keep her safe.

男主因就业诈骗而不得不为了谋生而暂时加入一家专门清理犯罪现场的清洁公司，而入职后的一次清洁工作却意外引出了其背后的就业诈骗团伙。

Light on Earth will examine the phenomena of so-called bioluminescence.

Light on Earth will examine the phenomena of so-called bioluminescence.

女明星展新月在影后颁奖典礼上，突然夺路而逃，仿佛12点就要变回原型的灰姑娘，她慌不择路，闯进了霍云霆的车里，瞬间化身成一个壮汉。原来展新月有一个不为人知的秘密，她会变身且并不受控制。这种变化从20岁开始持续发生，给她的生活造成了很大的困扰。霍云霆因意外成了重度脸盲症患者，他既是是展新月经纪公司云鼎娱乐的老板，也是她的隐婚对象。二人从小就有娃娃亲，霍云霆很早就对展新月一见钟情，霍家老爷子做主为二人完婚。展新月全球直播的代言仪式上突然变身，被霍云霆发现端倪，为了验证此事真假，也为了趁机和展新月拉近关系，霍云霆提出同居同睡的建议。展新月在婆婆上门当日变身美男子，引发婆婆对霍云霆性取向的误会，当场昏过去。