吉米和莱克斯是一对年轻情侣，某日他们在实施抢劫后发现了一辆没上锁的车，车后座有一个小男孩，但他们没有管他，偷了一把枪就走了。吉米因不慎而枪走了火，他才急匆匆救出孩子并带回了家。莱克斯对孩子很不耐烦，把他关进了衣柜里，而吉米则发现枪走火时可能误杀了人……日本知名个性派导演真利子哲也曾以《错乱的一代》赢得2016年洛迦诺国际电影节当代电影人单元最佳新导演奖，《从宫本到你》入选电影旬报年度十佳。本片是他的最新短片，全程英语对白。

述年轻的美国运输安全管理局员工伊桑·科佩克(埃格顿)在圣诞节当天被一个神秘的旅客(贝特曼)勒索，后者要求他把一个危险的包裹通过安检。

Stuck in the minutia of life Joe Franek, a Boston-bred baggage handler, fears he'll never amount to anything. Being a pilot is his goal, but the dream seems far off as financial pressures mount. When tasked with transferring an incoming bag, Franek cracks and steals from the case owned by Mohammad Atta and destined for American Airlines Flight 11 on September 11th, 2001. The suitcase misses Flight 11, forcing Franek to re-tag it for later departure. Franek's world is turned upside down when Flight 11 crashes into the World Trade Center. All air traffic is grounded, and the chaotic airport is locked down. Tortured by his careless actions, Franek becomes obsessed with tracking down the bag he delayed. Risking his job and sacrificing his security, Franek becomes a suspect, but his act of courage turns him into an unlikely hero and gives him the legacy for which he longed.

Stuck in the minutia of life Joe Franek, a Boston-bred baggage handler, fears he'll never amount to anything. Being a pilot is his goal, but the dream seems far off as financial pressures mount. When tasked with transferring an incoming bag, Franek cracks and steals from the case owned by Mohammad Atta and destined for American Airlines Flight 11 on September 11th, 2001. The suitcase misses Flight 11, forcing Franek to re-tag it for later departure. Franek's world is turned upside down when Flight 11 crashes into the World Trade Center. All air traffic is grounded, and the chaotic airport is locked down. Tortured by his careless actions, Franek becomes obsessed with tracking down the bag he delayed. Risking his job and sacrificing his security, Franek becomes a suspect, but his act of courage turns him into an unlikely hero and gives him the legacy for which he longed.

作为一个未婚的空姐，宝拉巴顿要赶在参加她妹妹婚礼前为自己率先物色个对象，为了完成她这个“志向”，她的好友为她安排了若干个前男友搭随她的出勤航班。

享尽万般宠爱的许家千金许期得知自己竟并非许家的真千金，而自从真千金许明珠被认回后，一向溺爱自己的父母和哥哥都开始偏听偏信许明珠的一面之词。因误以为许期将奶奶推下楼导致昏迷，许家人将许期送进女德学校忏悔改过，致使许期遭受了长达三年的非人折磨，落下无法逆转的终身残疾。三年后，许期被许家接回，许家人发现，曾经那个明媚爱笑的许期如今拒人千里

莱昂内尔爵士（休·杰克曼 Hugh Jackman 配音）是一名怪物调查员，为了获得探险精英的认可，他将自己的生死置之度外，为了寻找未被人类发现的怪物跋山涉水，远渡重洋，发誓要将自己探险的足迹遍布整个世界。某日，雷昂内尔爵士收到了一封匿名信，信中声称，在美国太平洋西北地区发现了一只罕见的，体型巨大的长毛怪。如获至宝的莱昂内尔爵士立刻就踏上了前往那里的旅途。 　　果不其然，很快，莱昂内尔就见到了自己的梦中情怪——林克先生（扎克·加利费安纳基斯 Zach Galifianakis 配音），让莱昂内尔爵士感到震惊的是，林克先生似乎缺乏野心，而且精通人类的语言。在林克先生的请求下，莱昂内尔爵士决定带着他前往香格里拉，去寻找他在那里生活的远亲——大雪怪。

莱昂内尔-弗罗斯特爵士认为，在调查世界上的神秘生物领域，自己是世界上数一数二的专家，但是他的同行们却对他不以为然。为了获得探险精英的认可，他赌上…

Making war is a storyteller’s job. A good story is crucial to legitimizing the use of military force. That’s why militaries need strong promotion and Israel is a model country in promoting its military ventures. We’ve successfully colonized, occupied and overgrown, and only got stronger and more accepted amongst the nations. Our history as persecuted Jews, and our enlightened democracy are both in use in our solid PR kit. But before pitching our story to the world, we need to pitch it to our children. As moral corruption linked with apartheid thrives, avoiding military service becomes a threat. For some children we’ll offer benefits, for most we’ll sell fictitious promises. Every child is screened to serve with bearable pressure and an adjusted amount of exposure to violence. This is the story of children who resisted being enlisted but were capitulated. Their stories were never told as they died during their service. Through a narration based on their haunting diaries, the film depicts their inner turmoil. It interweaves first-hand military images, key moments from childhood until enlistment, and home videos of the deceased soldiers whose stories are silenced and seen as a national threat. 　　源自：https://www.filmfestival.gr/en/section-tiff/movie/1272/14782

Making war is a storyteller’s job. A good story is crucial to legitimizing the use of military force. That’s why militaries need strong promotion and Israel is a model country in promoting its military ventures. We’ve successfully colonized, occupied and overgrown, and only got stronger and more accepted amongst the nations. Our history as persecuted Jews, and our enlightened democracy are both in use in our solid PR kit. But before pitching our story to the world, we need to pitch it to our children. As moral corruption linked with apartheid thrives, avoiding military service becomes a threat. For some children we’ll offer benefits, for most we’ll sell fictitious promises. Every child is screened to serve with bearable pressure and an adjusted amount of exposure to violence. This is the story of children who resisted being enlisted but were capitulated. Their stories were never told as they died during their service. Through a narration based on their haunting diaries, the film depicts their inner turmoil. It interweaves first-hand military images, key moments from childhood until enlistment, and home videos of the deceased soldiers whose stories are silenced and seen as a national threat. 　　源自：https://www.filmfestival.gr/en/section-tiff/movie/1272/14782