一个黑帮分子绑架了一个白人女孩，把她监禁起来而且侵犯了她……

一个黑帮分子绑架了一个白人女孩，把她监禁起来而且侵犯了她……

曹申是一名僧侣，有一天官家小姐月礼来庙里进香，月礼的花容月貌立刻迷住了曹申的一颗心。陷入迷乱的曹申被欲望牵引，侵犯了月礼。两个人借此机会里开了村庄，建立了家庭。他们生了两个儿子，并经营了一家染色作坊。但是曹申始终不能把握月礼的心。月礼一面和店员偷情，一面对曹申并不好。而月礼的未婚夫모례也因为夺爱之恨来向曹申寻仇。不久，月礼成了卖春女，曹申也成了大烟鬼。又过了很长时间，曹申来寻找月礼，然而月礼所在的村子里正在流行麻风病，月礼已经死去了。曹申一个人来到海边生活，开始制作月礼的雕像。月礼的未婚夫带着刀又找到曹申，然而，岁月流逝，再深的仇恨...

故事围绕一个孤独少年展开，因与当地反叛者坠入爱河，他的生活渐渐失控，他也在盛夏时光浸溺于药物的糜烂。本片是以利亚·拜纳姆的导演处女作，剧本由其亲自撰写，该剧本更曾登上2013年好莱坞剧本黑名单。影片也将于3月13日在西南偏南电影节首映。

故事围绕一个孤独少年展开，因与当地反叛者坠入爱河，他的生活渐渐失控，他也在盛夏时光浸溺于药物的糜烂。本片是以利亚·拜纳姆的导演处女作，剧本由其亲自撰写，该剧本更曾登上2013年好莱坞剧本黑名单。影片也将于3月13日在西南偏南电影节首映。

As he sits on a present situation where his childhood's expiration date gives way to an uncertain adolescence, Agustín decides to create a small freedom spot far from his daily routine, which includes taking care of his sick grandmother. When the last day of school is over, Agustín and his friend Javier escape during the nap time when his anonymous river town closes the shades and blinds itself from adventure. Capturing the nuances of every tiny experience and managing to make reality and imagination float without forcing the storytelling, Fernando Gatti's first film escapes the easy portrait of puberty and gets a quiet, broken adventure to project the same whispered and blinking vitality of a strong river's murmur and reflections. With no sentimentality but rather a perplex emotion, the world portrayed in this film is a relaxed crossroads where the paths open up without disturbing the landscape, as if change was a new perspective about to be revealed

As he sits on a present situation where his childhood's expiration date gives way to an uncertain adolescence, Agustín decides to create a small freedom spot far from his daily routine, which includes taking care of his sick grandmother. When the last day of school is over, Agustín and his friend Javier escape during the nap time when his anonymous river town closes the shades and blinds itself from adventure. Capturing the nuances of every tiny experience and managing to make reality and imagination float without forcing the storytelling, Fernando Gatti's first film escapes the easy portrait of puberty and gets a quiet, broken adventure to project the same whispered and blinking vitality of a strong river's murmur and reflections. With no sentimentality but rather a perplex emotion, the world portrayed in this film is a relaxed crossroads where the paths open up without disturbing the landscape, as if change was a new perspective about to be revealed

故事线为两条，一个整天想靠彩票赚钱去泡妞的无业屌丝，一个把女员工搞怀孕被老婆捉奸的男老板，两人都收到了一家可以让时光倒流的公司的广告，屌丝想时空倒流去买中奖的彩票号码，老板想时空倒流不让自己跟女员工偷情的事情被老婆发现，两个各怀鬼胎的男人，在欲望面前露出了贪婪的本色，他们是否又能真的如愿以偿呢....

这是神将世界各地两个不可能的人召集在一起的故事。 Plapol是泰国人中的一半，韩国人一半，他一生在韩国生活，但选择逃到泰国，他将新继母视为继父亲父亲…

組織内で殺し屋のトップの座を狙うため、恋人さえも犠牲にする冷酷非道な男が、組織に翻弄され自滅するまでを描く。 　　荒戸源次郎が初めてプロデュースした映画。日活ロマン・ポルノの1本として、オリジナル題名『朝日のようにさわやかに』が『愛欲の罠』に改題されて公開されたが、以後34年間、“幻の映画”となっていた作品。殺し屋No.1を目指す男が組織に翻弄される物語は、大和屋監督も脚本に参加した鈴木清順監督『殺しの烙印』の世界と続いている。