The series revolves around three friends who decide to embark on a journey, in which they will run into a stranger who will molikan.com make their lives change completely.

The series revolves around three friends who decide to embark on a journey, in which they will run into a stranger who will molikan.com make their lives change completely.

From http://theculturalgutter.com/movies/kamikaze_hearts_of_gutter_punk_lesbians.html 　　Robin Bougie is the creator of Cinema Sewer magazine. 　　Kamikaze Hearts of Gutter Punk Lesbians 　　by Robin Bougie 　　Make-believe, addiction, despair, two-bit sleaze and two-bit dreams.During the 揝haron Mitchell film festival?held at the Coolidge Corner Theater in Boston on June 6th 2000, the legendary porn queen showed clips from her XXX films spanning her 3 decades long career and provided a running commentary for the audience. Sharon held the crowd in rapt attention while she revealed the title from which each clip was taken, the director and, when she remembered, anecdotes about the cast and what drug she was on at the time the footage was shot. It was usually heroin or marijuana, and in some cases, both. One such example was the ultra-rare documentary KAMIKAZE HEARTS, which also depicted Mitchell ?then addicted ?passionately defending drug use. 　　揔amikaze Hearts? wrote the L.A. Weekly of the now-forgotten film back in 1986, 揹rags you to a certain place ?the world of lesbian-junkie porn stars ?and keeps you there for 80 minutes. If you抮e excited by that place, or even if you find that place disturbing, you抣l like this film because it抯 so relentlessly inside the world of naked bodies, make-believe, addiction, despair, two-bit sleaze and two-bit dreams.? 　　It抯 a documentary, but director Julie Bashore抯 film is harder to peg than simply that. This one-of-a-kind 16mm porn industry time capsule shifts nearly unnoticed between the real and unreal, as Mitchell and company become actors portraying themselves in reenactments of scenes leading up to and following the footage a documentary camera crew captured while behind the scenes of a cum-coated mid 80抯 porn film. 　　And when I say 慴ehind-the-scenes? I mean it. Usually unseen crew members are brought out into the open as they capture the performers either fucking one another or waiting around to get the chance to do so. Look, there抯 a young Marian Wilde holding the boom. She would later go on to be foley editor on dozens of Hollywood films such as THE PHANTOM MENACE and RAIN MAN. Sitting on the sidelines watching drug-addled Sharon flop on the carpet and contort herself into a nearly nude ball and go 揘yha nyha nyha?is still photographer Vincent Fronczek. Listen very carefully in an early scene, and hear small fry fuck-actress Jennifer Blowdryer having a background conversation where she unwittingly admits that she started in porn when she was only 17, and falsified age documents in order to work. 　　When the film premiered (and won the 揃est Feature Film?at the Torino Intl Gay and lesbian film fest) The Chicago Reader抯 Johnathan Rosenbaum called it 揂lternately distressing, instructive, contestable, and fascinating? and he抯 totally right. Mitchell comes off as seasoned and cynical, while also talks of being a shame-free exhibitionistic personality in front of the camera and otherwise. Her lover and co-star in KAMIKAZE HEARTS is Tigr (pronounced 揟igger? Mennett, production assistant and porn actress who was featured in roughly forty 70抯 and 80抯 pud-pullers of her own. Her career ended right about the time this film came out in 1986, but look for her in ball-drainers such as DR. BIZARRO, 8 TO 5 (as Chelsea McCleane), and MATINEE IDOL (as Chealsea Manchester). The unusual blend of reality and fiction she and Mitchel bring to KAMIKAZE HEARTS tastes like skid row while laying bare the stormy gutter-punk relationship between the two women. 　　揥hen I first met her I thought she was sleazy?Tigr tells the audience of Mitchell, (whom everyone calls 慚itch?for short) 揝he needed to make a living, she was fucking on camera - I thought she was just another dumb porno slut. But I was wrong.? 　　Filmed on location in San Francisco, the notorious original home of the XXX film industry, the two scrounge around in a semen-soaked seedy world colored by strip joint punch-outs, after party arguments, kinky sex, and egotistical sleaze-ball directors. These two are thrillingly unapologetic about the fact that they use heroin as a shield while traversing through this gritty 24 hour party lifestyle, and the camera is there to catch what it can, and reenact what it can抰. 　　揟he camera抯 presence?wrote Rosenbaum, 揾as a shifting role in the film, moving from seemingly impartial witness of certain events to stimulus and catalyst for certain others, and this tends to confuse and change one抯 relationship to both the film and its characters.? 　　Mitchell initially introduced Tigr to intravenous drugs years previous to the filming of KAMIKAZE HEARTS, and in one of the final scenes in the film, the two lie on a bed and hit up while on camera. Mitchell brings the point home with the kind of wisdom only found in junkie babble. 揟his is the truth.?she says as she stares into the camera after pulling the needle out of her arm, 揧ou got what you want. You did not have to put it in. You could give it to me. I抣l put it in my movie. There is no legitimate or illegitimate anything. No one dragged you into anything. This [she holds up a needle] was my dick and I fucked her with my dick. And I waited for this relationship to mature. This is a movie within a movie within a movie. This is timeless.?

From http://theculturalgutter.com/movies/kamikaze_hearts_of_gutter_punk_lesbians.html 　　Robin Bougie is the creator of Cinema Sewer magazine. 　　Kamikaze Hearts of Gutter Punk Lesbians 　　by Robin Bougie 　　Make-believe, addiction, despair, two-bit sleaze and two-bit dreams.During the 揝haron Mitchell film festival?held at the Coolidge Corner Theater in Boston on June 6th 2000, the legendary porn queen showed clips from her XXX films spanning her 3 decades long career and provided a running commentary for the audience. Sharon held the crowd in rapt attention while she revealed the title from which each clip was taken, the director and, when she remembered, anecdotes about the cast and what drug she was on at the time the footage was shot. It was usually heroin or marijuana, and in some cases, both. One such example was the ultra-rare documentary KAMIKAZE HEARTS, which also depicted Mitchell ?then addicted ?passionately defending drug use. 　　揔amikaze Hearts? wrote the L.A. Weekly of the now-forgotten film back in 1986, 揹rags you to a certain place ?the world of lesbian-junkie porn stars ?and keeps you there for 80 minutes. If you抮e excited by that place, or even if you find that place disturbing, you抣l like this film because it抯 so relentlessly inside the world of naked bodies, make-believe, addiction, despair, two-bit sleaze and two-bit dreams.? 　　It抯 a documentary, but director Julie Bashore抯 film is harder to peg than simply that. This one-of-a-kind 16mm porn industry time capsule shifts nearly unnoticed between the real and unreal, as Mitchell and company become actors portraying themselves in reenactments of scenes leading up to and following the footage a documentary camera crew captured while behind the scenes of a cum-coated mid 80抯 porn film. 　　And when I say 慴ehind-the-scenes? I mean it. Usually unseen crew members are brought out into the open as they capture the performers either fucking one another or waiting around to get the chance to do so. Look, there抯 a young Marian Wilde holding the boom. She would later go on to be foley editor on dozens of Hollywood films such as THE PHANTOM MENACE and RAIN MAN. Sitting on the sidelines watching drug-addled Sharon flop on the carpet and contort herself into a nearly nude ball and go 揘yha nyha nyha?is still photographer Vincent Fronczek. Listen very carefully in an early scene, and hear small fry fuck-actress Jennifer Blowdryer having a background conversation where she unwittingly admits that she started in porn when she was only 17, and falsified age documents in order to work. 　　When the film premiered (and won the 揃est Feature Film?at the Torino Intl Gay and lesbian film fest) The Chicago Reader抯 Johnathan Rosenbaum called it 揂lternately distressing, instructive, contestable, and fascinating? and he抯 totally right. Mitchell comes off as seasoned and cynical, while also talks of being a shame-free exhibitionistic personality in front of the camera and otherwise. Her lover and co-star in KAMIKAZE HEARTS is Tigr (pronounced 揟igger? Mennett, production assistant and porn actress who was featured in roughly forty 70抯 and 80抯 pud-pullers of her own. Her career ended right about the time this film came out in 1986, but look for her in ball-drainers such as DR. BIZARRO, 8 TO 5 (as Chelsea McCleane), and MATINEE IDOL (as Chealsea Manchester). The unusual blend of reality and fiction she and Mitchel bring to KAMIKAZE HEARTS tastes like skid row while laying bare the stormy gutter-punk relationship between the two women. 　　揥hen I first met her I thought she was sleazy?Tigr tells the audience of Mitchell, (whom everyone calls 慚itch?for short) 揝he needed to make a living, she was fucking on camera - I thought she was just another dumb porno slut. But I was wrong.? 　　Filmed on location in San Francisco, the notorious original home of the XXX film industry, the two scrounge around in a semen-soaked seedy world colored by strip joint punch-outs, after party arguments, kinky sex, and egotistical sleaze-ball directors. These two are thrillingly unapologetic about the fact that they use heroin as a shield while traversing through this gritty 24 hour party lifestyle, and the camera is there to catch what it can, and reenact what it can抰. 　　揟he camera抯 presence?wrote Rosenbaum, 揾as a shifting role in the film, moving from seemingly impartial witness of certain events to stimulus and catalyst for certain others, and this tends to confuse and change one抯 relationship to both the film and its characters.? 　　Mitchell initially introduced Tigr to intravenous drugs years previous to the filming of KAMIKAZE HEARTS, and in one of the final scenes in the film, the two lie on a bed and hit up while on camera. Mitchell brings the point home with the kind of wisdom only found in junkie babble. 揟his is the truth.?she says as she stares into the camera after pulling the needle out of her arm, 揧ou got what you want. You did not have to put it in. You could give it to me. I抣l put it in my movie. There is no legitimate or illegitimate anything. No one dragged you into anything. This [she holds up a needle] was my dick and I fucked her with my dick. And I waited for this relationship to mature. This is a movie within a movie within a movie. This is timeless.?

王无忌是清末大刀王五的幼子，王五因救谭嗣同而遭清帮魔头练辟邪杀害，其家人亦一同被杀，仅无忌幸免于难，随醉乞学习醉拳。 　　无忌长大后，出为江湖行走，遇到许多事情，首先被卷入盗慈禧墓的事件中，与邪派人物发生冲突，又因要报杀父之仇，杀练避邪，无忌得机拜剑仙为师学艺，并邂逅仙儿及醉娃 ，与剑仙之子小剑仙成为好友，四个青年侠士之间，发生了一段动人的情场追逐战，形成纠缠不清的情仇恩怨，英雄气短，儿女情长。 　　无忌屡遇风险，在江湖上，历尽各种磨练，培养出坚毅不移的性格，同时他为人正义，大仁大勇，很得正派武林人士看重，亦得到魔仙之女的垂青，可惜他身负大仇，一心要手刃杀父仇人，致难以兼顾爱情，令内心添了不少苦恼！

王无忌是清末大刀王五的幼子，王五因救谭嗣同而遭清帮魔头练辟邪杀害，其家人亦一同被杀，仅无忌幸免于难，随醉乞学习醉拳。 　　无忌长大后，出为江湖行走，遇到许多事情，首先被卷入盗慈禧墓的事件中，与邪派人物发生冲突，又因要报杀父之仇，杀练避邪，无忌得机拜剑仙为师学艺，并邂逅仙儿及醉娃 ，与剑仙之子小剑仙成为好友，四个青年侠士之间，发生了一段动人的情场追逐战，形成纠缠不清的情仇恩怨，英雄气短，儿女情长。 　　无忌屡遇风险，在江湖上，历尽各种磨练，培养出坚毅不移的性格，同时他为人正义，大仁大勇，很得正派武林人士看重，亦得到魔仙之女的垂青，可惜他身负大仇，一心要手刃杀父仇人，致难以兼顾爱情，令内心添了不少苦恼！

Story of two girls with many differences such as social status and education. but that didn't stop them from being very good friends who ended up falling in love. With a surprising and nothing morbid interpretation the actresses gave voice and courage to many to express their feelings without fear. A love story that shows us that Love is Love.

Story of two girls with many differences such as social status and education. but that didn't stop them from being very good friends who ended up falling in love. With a surprising and nothing morbid interpretation the actresses gave voice and courage to many to express their feelings without fear. A love story that shows us that Love is Love.

《童言无忌》讲述了2005年暑假期间，国家广电部号召全国各地方电视台开办少儿栏目。为了少儿栏目更加贴近孩子们的生活，东海市电视台大胆作出决定，让孩子们自己来办一个少儿电视栏目，于是，9个来自不同家庭、学校、不同年龄的孩子为了同一个目标走到一起，一个崭新的少儿电视栏目——《少儿空间》诞生了。

乾隆46年，时任祟文门税官的钱沣与运送皇纲的浙江巡抚王亶望发生争执，此事引起乾隆皇帝对甘肃捐监案的诸多疑虑。钱沣一路颇多风险，刚到兰州差点被人发现行踪，他和和珅、铁图商议，决定不动声色私访。雪奴假扮灾民博得钱沣同情，会唱戏的胭脂为弄到捐制册接近甘肃藩司王廷赞。 为灾民钱沣闯进总督府，但无法证明自己。蒋全迪欲加害钱沣，幸陕甘总督勒尔谨赶到。 　　一计不成，蒋全迪王廷赞怕贪赃之事败露，暗派雪奴和江湖人士独眼狼前往杀害钱沣。其时雪奴对钱沣己有好感，在行刺时暗救钱沣，由此逃过一劫。 　　钱沣由蒋全迪王廷赞陪同查看粮仓，意外的是粮仓满仓。无奈之下， 钱沣到永登县找到昔日的学友拗相公华杨，但正直的华扬这时异常冷淡，令钱沣空手而回。 　　在北京， 闽浙总督陈辉祖奉旨将王亶望软禁， 王亶望拒不交待，花言巧语，私下又派小妾吴卿怜到兰州，想法拖住钱沣。这日，钱沣赶至臬司衙门，质问蒋，王，但无实据无奈回到行辕。随后钱沣放出风声，言明众官员奉公守法，勤政爱民，自可回京复命。远在京城的王公大臣因多年收受王亶望好处，乾隆帝察觉不对，终下决心赐钱沣”倚天钦差”，严查甘省捐监贪污案。 　　奉旨钱沣将蒋全迪王廷赞关进牢房，将他们强借百姓的粮食悉数归还，正在加紧审查时，吴卿怜拿出一万两银票，令雪奴找人杀害钱沣。雪奴无奈，一面和独眼狼联系，一面暗中解救钱沣。并把钱沣带至郊外的卧龙岗，在这里两人互吐爱慕之情。说服雪奴钱沣回到兰州，终令众官员服法。惟有蒋全迪拒不交待捐制册下落。但在京城的王公大臣加害钱沣，乾隆帝迫于压力只得将钱沣招回押进天牢。受此拙折， 钱沣在牢中渐悟出皇帝深意。 　　不日，乾隆帝召集百官，表扬华扬为民负重，是个好官。谁知华扬坦诚曾收受贿赂，自请入监。由此乾隆帝命阿桂将甘省官员再次关押，查抄家产。当钱沣重任钦差来到杭州，王亶望自知事态严重，私下请闽浙总督陈辉祖极力周旋，以美色金钱拉拢钱沣。 　　当钱沣来到王府，意外的是王亶望正为其母办丧， 钱沣不顾一旁雪奴的哀求要求开棺验尸，并将王亶望收监，抄其家产。但王府所查家产并不如钱沣想象的丰厚，为套出家财下落， 钱沣有意与吴卿怜亲近。但吴卿怜忠于其夫，坚不吐出藏银地点。 　　钱沣眼见官场奢侈之风，渐渐浸染其中，在迷楼流连忘返，当终于查出王亶望藏银，眼见如此巨额珍宝，贪污之念暗生。而雪奴眼见钱沣的转变，恨其不争，愤而出家当了尼姑。而胭脂在解救吴卿怜时，被独眼狼误杀， 钱沣感其真情侠意。 　　将王亶望家财押回北京， 钱沣升官加爵，受到乾隆帝大力表扬，并将吴卿怜赐赐予他。大喜之日，吴卿怜望着红光满面的钱沣，在心里暗暗祈愿，惟愿他清官为人，别再像前夫王亶望般落个悲凉下场。