挥洒叛逆的青春，捍卫理想的执着，不拘一格的风格。本片60年代匈牙利人的典型写照。嬉皮士出自美国，而他们是比美国人更纯正的嬉皮士…… 　　三十部苏联东欧解冻时期敏感题材公映片之一 　　第21届戛纳电影节(1968)　 金棕榈奖(入围)　 米克洛斯·杨索

挥洒叛逆的青春，捍卫理想的执着，不拘一格的风格。本片60年代匈牙利人的典型写照。嬉皮士出自美国，而他们是比美国人更纯正的嬉皮士…… 　　三十部苏联东欧解冻时期敏感题材公映片之一 　　第21届戛纳电影节(1968)　 金棕榈奖(入围)　 米克洛斯·杨索

森林的中央，身材姣好的小红帽款款而来，她看见被人吊起来的大坏狼，似乎并未做过多的迟疑，便砍断了绑在树干上的绳子。大坏狼应声而落，小红帽则转身离开。夜幕降临，巨大的月亮升起，昏迷许久的大坏狼慢慢苏醒过来。它看到小红帽留下来的篮子，里面有美味的烧鸡还有她写的字条，告诫大坏狼不要在做坏事了。在此之后，大坏狼周游在小红帽的周围，从远处窥视着这个小女孩。当然小红帽为此遭到了爷爷奶奶的指责，称对待坏狼绝对不能手软。小红帽独自承受这一切，而一直观望的大坏狼似乎渐渐喜欢上了善良的小女孩。 　　它终于迎来了报恩的时刻……

森林的中央，身材姣好的小红帽款款而来，她看见被人吊起来的大坏狼，似乎并未做过多的迟疑，便砍断了绑在树干上的绳子。大坏狼应声而落，小红帽则转身离开。夜幕降临，巨大的月亮升起，昏迷许久的大坏狼慢慢苏醒过来。它看到小红帽留下来的篮子，里面有美味的烧鸡还有她写的字条，告诫大坏狼不要在做坏事了。在此之后，大坏狼周游在小红帽的周围，从远处窥视着这个小女孩。当然小红帽为此遭到了爷爷奶奶的指责，称对待坏狼绝对不能手软。小红帽独自承受这一切，而一直观望的大坏狼似乎渐渐喜欢上了善良的小女孩。 　　它终于迎来了报恩的时刻……

女儿玛德伦要求伊莎贝尔定期探望生病的拉蒙，从那天起，伊莎贝尔的生活发生了翻天覆地的变化。

女儿玛德伦要求伊莎贝尔定期探望生病的拉蒙，从那天起，伊莎贝尔的生活发生了翻天覆地的变化。

本片关于罗马尼亚音乐家、作曲家Alex Balanescu的生活和他的时代。

本片关于罗马尼亚音乐家、作曲家Alex Balanescu的生活和他的时代。

One of Joris Ivens' most poetic films is his first attempt to film the wind. With a beautiful photography, a powerful editing and a poetic commentary the film tries to make the wind visible and tangible. It starts in black and white, continues in colour and ends in cinemascope to illustrate the force of the upcoming Mistral wind that blows in the south of France. The original scenario was much more elaborate and ambitious and fits Ivens' lifelong wish to film the impossible: the wind. It was difficult to find a producer for this film, for most people were rather sceptical to finance a film with an invisible main character. Finally Claude Nedjar was willing to produce the film, which despite many financial problems was finished in 1965.

One of Joris Ivens' most poetic films is his first attempt to film the wind. With a beautiful photography, a powerful editing and a poetic commentary the film tries to make the wind visible and tangible. It starts in black and white, continues in colour and ends in cinemascope to illustrate the force of the upcoming Mistral wind that blows in the south of France. The original scenario was much more elaborate and ambitious and fits Ivens' lifelong wish to film the impossible: the wind. It was difficult to find a producer for this film, for most people were rather sceptical to finance a film with an invisible main character. Finally Claude Nedjar was willing to produce the film, which despite many financial problems was finished in 1965.