While preparing to shut down the photo studio business that he has been running, a man (Yoon Jemoon) hears that someone named Chulsu has died. The man contacts several friends in the hope of finding to attend the funeral with him. Usu is a film in which an image of a man, sunk in depression, is printed on a screen. It is not important who Chulsu is. It looks as if the man traces back his past, but the film refuses to give any concrete explanation. Instead, it carves abstract emotions onto a refined screen. Characters are placed in the multi-layered frames and are as quiet as paintings. Leisurely paced, the film captures them as they are buried in darkness while conversations, that look absent-minded yet incisive, add vitality to the slow and contemplative rhythm. The half serious and half playful lines sound like an extended joke about loneliness. Usu is a drama that resembles a carefully staged photograph. It casts its shadow of sorrow and loneliness upon those who watch it. (SONG Kyung-won)

一个在北京的东北人和一个在北京的韩国人的故事，他们一个是土生土长的东北爷们儿，一个是远离故乡身在异国的韩国男人，用鸭子和大雁来形容他们俩真是十分恰当。鸭子和大雁是比铁哥们还铁的哥们，鸭子有一间奇怪的公司，专门帮人解决各种棘手的问题，公司的名字也很奇怪——‘什么情况”。大雁常挂在嘴边的口头禅是“什么素质”，他们一起拼酒，一起K歌。有一天，大雁说他要飞走了，鸭子很伤心，但也没过多挽留，只是心里特别难受。。。。。。

一九五九年夏天，西藏萨尔吉草原发生了严重的虫灾，广大贫下中牧在党的领导下，开展了紧张的灭蝗战斗，逃亡头人旺金和漏网牧主仁青乘机进行破坏，他们利用部分群众对“佛爷”的迷信，散布蛊惑人心的谣言；谣言破产后，又妄图用定时炸弹炸毁分机。少先队员华尔丹和小伙伴们发现仁青形迹可疑，无畏地跟踪追击。经过一场惊心动魄的战斗，他们终于排除了定时炸弹，粉碎了阶级敌人的罪恶阴谋。

地暖回春，大雁北飞时，南国侨乡翠岭疗养院接待了一位因吸毒上瘾而病魔缠身的港商秦志斌。主治工医师成玉兰检查病人时，发现眼前这位昏睡着的秦志斌竟是自己中学时代的恋人秦友冬，不禁使她陷入回忆中…… 　　十几年前，还在高中念书的秦友冬和成芸本是同窗好友，俩人在相互交往中产生了爱慕之情。正当他们将要一同进入大学深造时，秦友冬接到姐姐秦友梅由香港打来的急电，声称父亲病危，要他立即返港。行前，秦友冬送给成芸一座小闹钟以表忠诚的爱情。不久，秦友冬的父亲病故，留下大笔遗产，姐姐执意要秦友冬留下继承父业。秦友冬的表哥庞子章为 侵吞秦氏家业，背着秦友冬，用诺言从成芸那儿骗回小闹钟，割断了他们之间的联系。秦友冬无奈只好留在香港，改名秦志斌，出任式东公司总经理兼董事长。居心不良的庞子章又撮合秦志斌与交际花贝贝结婚，并引诱秦志斌吸毒以至成瘾。秦志斌终于玩物丧志，自食苦果，一步步陷入了表哥的圈套…… 　　躺在病床上的秦志斌这时也认出眼前的成玉兰大夫就是当年的成芸，感到羞愧万分。他发誓永远不认成芸，并打算立刻转院，想逃避现实。成玉兰在医院梁院长的启发开导下，决心抛开个人恩怨，以实际行动来表达祖国人民对香港同胞的关怀。在她认真会诊、精心安排下，经过几个疗程，秦志斌的病有了明显好转。成玉兰的未婚夫钟鸣出国进修回来了，他们推迟再三的婚礼终举行。 　　这时，秦志斌不见了。成玉兰等人迅速四出寻找，他们在山坡树林里拾到一封秦志斌的家信。这才得知，庞子章趁秦志斌回乡戒毒之机，勾结秦妻贝贝，侵吞了他的全部家产，秦宅也变在庞子章与贝贝的新婚洞房。秦志斌顷刻之间变成了穷光蛋……濒临绝望有秦志斌神情恍惚地爬上峭壁，打算跳崖了此一生。危急之际，钟鸣赶到，猛地将他推向一边，自己不慎落入深潭，摔成重伤。 　　秦志斌被送回医院，在大家的劝慰和姐姐的鼓励下，神志渐渐清醒。当他得知舍身救自己的就是成玉兰的未婚夫时，心中十分感动和内疚。他和陪他前来治病的姐姐去看望钟鸣，钟妈妈一家热情地接待了他们，并送给他们调养身体的中医秘方，使姐弟俩万分感激。 　　大雁又在北飞了。秦志斌身体复原，离开医院。他把小闹钟留给了钟鸣一家，表示回香港后要为祖国多做贡献。他走了，怀着恋恋难舍的心情离开了故乡。

为拍摄一部关于哥伦布美洲探险寻宝的电影，导演塞巴斯蒂安和他的制片人科斯塔来到了玻利维亚，然而他们的剧组却被搅入了当地民众抗议水系统私有化的政治危机当中。 　　入围2010年多伦多电影节当代世界电影单元，2010年西班牙巴利亚多利德电影节开幕片。

靈感源自葉青新詩〈蝸牛〉。高中少女宇軒對摯友佳琪的情感深厚而難以明言。面對大考在即，課後總在夜市協助哥哥擺攤的宇軒，最大的恐懼便是無法考上理想的大學，與佳琪一道前往台北，延續她們的情誼。然而，現實的殘酷卻超越她所能想像，令人心碎的考驗突如其來地降臨在她們兩人之間……。

Rivers, with their varied names and paths, flow through different lands, carrying people and memories, always leading back to a sense of home. No matter how much we try to control them, rivers find their own way, symbolizing the unstoppable flow of time and the journey to seek where we truly belong. This film explores rivers' timeless, flowing nature and their ties to memory, identity, and cultural change. Through a folktale of a princess guided back to her ancestral home by a river and floating dreams in floodwaters, through visuals of the Oder River’s history, flood archives, and everyday life, the film examines how rivers, by uniting and dividing, symbolize the uncontrollable passage of time and the blending of diverse aspirations.

塞巴斯蒂安（盖尔·加西亚·贝纳尔 饰演）是一个富有理想主义情怀的年轻导演，他与摄制组来到玻利维亚的科恰班巴，拍摄一部有关哥伦布第一次航海发现新大…

Shin Da-mi is devoted both to her work and home. Managing Director Pak at her company is known as a bachelor. Pak is the object of envy of all her female co-workers but he only has eyes for Da-mi. Naive Da-mi gives herself up completely to the affections of Pak thinking that marriage is not far off. But, it turns out that the supposed bachelor has a wife and son. When they show up, Pak dumps Da-mi. Filled with vengeance, Da-mi goes out with the chairman and with his help, she has her revenge on Pak.

Karel Bursík (Lukás Vaculík), as a child called Kajda, recalls his childhood spent in Prague - Zizkov. His father (Vladimír Mensík), a shoe-maker, moved there his wife and three children hoping they would escape a country poverty. He soon threw his daughter Vera (Zlata Adamovská) out of home; he did not like her relationship with a married man. The competition of Bata factory was unsurpassable for a minor craftsman Bursík and his neighbours owed him for minor services. The desperate Bursík sent Kajda to sell his mother's dresses to get money for food. In a second-hand shop, Kajda met his first love.