This is an unusual film of exceptional values--75 minutes long in color, with hardly any spoken dialogs. I saw this Iranian film in Farsi without English subtitles at the Early Iranian cinema retrospective on-going International Film Festival of Kerala, India. That I was watching a print without subtitles did not make a difference as there were very few lines of spoken dialogs. 　　This is a very accessible film for any audience to enjoy--its story and values are not merely Iranian, it's universal. 　　The film is set in rural Iran that had not tasted petro-dollar prosperity. The setting is on fringes of desert land, where water is scarce, rainfall scanty and hardly any blade of grass is green. Add to it wind and dust that buffets and whips man and animal and you can imagine plight of the people who live on the fringes of society. 　　The film is moving tale of a young teenager returning to his village with a goat--only to find his family and villagers have moved on to escape natures vagaries and that one old man remains. He gives the goat to him and goes in search of his family. Water is scarce and well water it treated with reverence and never wasted.

An optically-printed canvas which explores the interior feel of world moving with inherent fluidity through a medium of wind and water. It presents an impressionistic portrait of unnatural forces that collide.

This is an unusual film of exceptional values--75 minutes long in color, with hardly any spoken dialogs. I saw this Iranian film in Farsi without English subtitles at the Early Iranian cinema retrospective on-going International Film Festival of Kerala, India. That I was watching a print without subtitles did not make a difference as there were very few lines of spoken dialogs. 　　This is a very accessible film for any audience to enjoy--its story and values are not merely Iranian, it's universal. 　　The film is set in rural Iran that had not tasted petro-dollar prosperity. The setting is on fringes of desert land, where water is scarce, rainfall scanty and hardly any blade of grass is green. Add to it wind and dust that buffets and whips man and animal and you can imagine plight of the people who live on the fringes of society. 　　The film is moving tale of a young teenager returning to his village with a goat--only to find his family and villagers have moved on to escape natures vagaries and that one old man remains. He gives the goat to him and goes in search of his family. Water is scarce and well water it treated with reverence and never wasted.

An optically-printed canvas which explores the interior feel of world moving with inherent fluidity through a medium of wind and water. It presents an impressionistic portrait of unnatural forces that collide.

屌丝孙圣将齐天大圣孙悟空视为偶像，总是助人为乐打抱不平，这天家里出现了一名不速之客，原来是广寒宫的玉兔，在大圣与魔界九头虫斗法被击中穿越过来的。两人在查阅资料中看到了越光宝盒。魔界槐树精为了阻止玉兔回去要求手下铁鹰与耗子找越光宝盒。越光宝盒刚好在孙圣女朋友任珍的二叔手里，他是位古玩收藏家。铁鹰与耗子绑架了任珍的堂妹小美，槐树精要求用越光宝盒交换小美。玉兔离开后偷听到铁鹰与耗子的谈话，找到了孩子被绑架的地方，救出了所有儿童。不知情的孙圣与任珍正要拿越光宝盒交易，玉兔出现并一同解决了铁鹰与耗子，然后又用宝葫芦收走了槐树精……

屌丝孙圣将齐天大圣孙悟空视为偶像，总是助人为乐打抱不平，这天家里出现了一名不速之客，原来是广寒宫的玉兔，在大圣与魔界九头虫斗法被击中穿越过来的。两人在查阅资料中看到了越光宝盒。魔界槐树精为了阻止玉兔回去要求手下铁鹰与耗子找越光宝盒。越光宝盒刚好在孙圣女朋友任珍的二叔手里，他是位古玩收藏家。铁鹰与耗子绑架了任珍的堂妹小美，槐树精要求用越光宝盒交换小美。玉兔离开后偷听到铁鹰与耗子的谈话，找到了孩子被绑架的地方，救出了所有儿童。不知情的孙圣与任珍正要拿越光宝盒交易，玉兔出现并一同解决了铁鹰与耗子，然后又用宝葫芦收走了槐树精……

北宋初年，天帝将三十六天罡、七十二地煞封于无字碑下， 换来人间太平百余年。时至仁宗，洪太尉误悔无字碑，凶星再临，又一个乱世即将开始。八十万禁军教头林冲，乃天雄星转世。他仕途平坦，与夫人贞娘伉俪情深。入朝四年，正值右迁。林冲为求取京中环卫指挥使一职，散尽千金。他的同乡挚友陆谦则将被调往岷州做镇抚使。然而，这一切在社日的庙会被逆转。林冲痛打调戏青鸾的小高衙内，得罪权贵，结识莽和尚鲁智深。小高衙内心有不甘，策反陆谦，将贞娘骗往阁楼，欲图不轨。他还以官位利诱陆谦，使得白虎堂上，兄弟反目，林冲被刺判沧州。

北宋初年，天帝将三十六天罡、七十二地煞封于无字碑下， 换来人间太平百余年。时至仁宗，洪太尉误悔无字碑，凶星再临，又一个乱世即将开始。八十万禁军教…

《林冲之风雪山神庙》是一部反映水浒好汉林冲抗争精神的电影,影片充满了铁血与柔情,本影片主要讲述了武艺超卓的八十万禁军教头林冲,从任命到反抗的故事。在遭到高俅党陷害后, 被刺配充军。在风雪山神庙中,林冲手刃仇人陆谦,不再接受被发配的命运,与过去一刀两断,获得了人格的极大升华。

故事描述人类虽能将神秘的外星生物“迦姆”的势力逐出地球，但双方的攻防战却延伸到了另一颗菲雅利行星上，完全没有任何停止的迹象。而身为主角的深井零少尉为战术战斗电子侦察机SUPER SYLPH“雪风”的驾驶员，受命搜集战场上的战术情报。就这样，围绕在菲雅利行星上人类与迦姆的战斗，也将逐渐改变零的未来……