阿富汗2014。当部队即将撤离时，Antarès Bonassieu上尉和他的部队被指派在巴基斯坦边境的Wakhan偏远山谷执行控制和监视任务。尽管他们下定决心，但安塔利斯和他的手下逐渐失去了对本应平静的地区的控制。九月的一个晚上，山谷里的士兵神秘地消失了。

In 1964 author Samuel Beckett set out on one of the strangest ventures in cinematic history: his embattled collaboration with silent era genius Buster Keaton on the production of a short, titleless avant-garde film. Beckett was nearing the peak of his fame, which would culminate in his receiving a Nobel Prize five years later. Keaton, in his waning years, never lived to see Beckett’s canonization. The film they made along with director Alan Schneider, renegade publisher Barney Rosset, and Academy Award-winning cinematographer Boris Kaufman, has been the subject of praise, condemnation, and controversy for decades. Yet the eclectic participants are just one part of a story that stretches to the very birth of cinema, and spreads out to our understanding of human consciousness itself. 　　NOTFILM is a feature-length experimental essay on FILM’s production and its philosophical implications, utilizing additional outtakes, never before heard audio recordings of the production meetings, and other rare archival elements.

A man, Vince, wakes up in the middle of a film shoot. He doesn't know what's going on or why he's there, but crew members tell him he's one of the actors in the film so he decides to just play along. During the shooting of one scene, one of the other actors, 122, accidentally kills most of the crew. Vince, 122 and the remaining crew decide to finish the film by themselves, even though there's no script, no sound equipment (they decide to make it a silent film) and no camera (they then decide to also make it a "blind" film). 　　Like his music, this first feature film of Quentin Dupieux (aka Mr. Oizo) is at the same time totally retarded and utterly brilliant. A calm yet demented piece of metafiction, examining the boundaries between film and reality in a dry, absurdly humorous way.

4.3 사건으로 상처 입은 제주도와 제주사람들... 　　그리고 지금 아프게 부서져 가는 강정마을의 이야기 　　제주시 애월읍 납읍에 살고 계신 강상희 할머니, 할머니의 남편 김봉수는 4.3으로 희생되었다. 해군기지 문제로 떠들썩한 서귀포시 강정마을. ‘4.3의 원혼이 통곡한다’ 와 같은 수많은 현수막이 제주 4.3과 해군기지 문제가 다르지 않음을 말한다. 카메라는 유령처럼 제주도 납읍리, 가시리, 강정마을, 일본 오사카 등을 돌며 그 흔적과 균열들을 드러내기 시작하고 다시 강상희 할머니가 혼자 살고 있는 집 앞마당으로 돌아온다. 언제부터인지 알 수 없지만 잠자리 밑에 녹슨 톱을 두고 살아온 할머니의 삶... 가늠할 수 없는 깊은 슬픔을 짊어진 제주도와 제주사람들의 삶에서 녹슨 톱은 언제쯤 치워질 수 있을까. 　　Focusing on Mrs. Kang sang-hee's life, she lost her husband in Jeju Uprising (March 3rd, 1948). The film views the dark-side of Jeju Is land, a huge grave, which is completely opposite of the other side of the island, the famous tourist attraction. It says that the tragedy has been going on about the recent Gang-jeong village situation.

看到“统计学”，你首先想到什么？是让人眼花缭乱的表格，还是各种晦涩难懂的术语？其实，统计学并不遥远，从日常生活到科学研究，到处都有它的踪影；统计学也并不枯燥，在本片中，明星教授Hans Rosling将用新奇的方式、先进的技术和幽默的语言，带我们走进妙趣横生的统计学世界。

民国女子叶南昭遭遇前夫背叛痛失亲女，报官途中遭遇拐卖，无奈冒名顶替一女尸身份成为陆府二姨太。缘分使然，背叛她的前夫竟然是这一家的新姑爷，她顶替的原身还给她留了一大堆烂摊子？

我们聚焦到人群中不擅长恋爱的爱情差生——有人深度防御，有人被动沟通，有人不擅长把握边界，有人习惯于伪装……爱情差生往往不擅长走向心动的人。于是我们加入了能狠狠推他们一把的“卡片设置”，直线推进真实恋爱的进程。日常生活中不会真的有一张张卡片的指引让大家恋爱，但我们期待通过这样非日常的恋爱方式，能加速自我的真诚袒露，让真实的“我”出现在“你”面前，一起期待不悬浮的爱情发生。 “爱不将就，我不将就！”

我们聚焦到人群中不擅长恋爱的爱情差生——有人深度防御，有人被动沟通，有人不擅长把握边界，有人习惯于伪装……爱情差生往往不擅长走向心动的人。于是我们加入了能狠狠推他们一把的“卡片设置”，直线推进真实恋爱的进程。日常生活中不会真的有一张张卡片的指引让大家恋爱，但我们期待通过这样非日常的恋爱方式，能加速自我的真诚袒露，让真实的“我”出现在“你”面前，一起期待不悬浮的爱情发生。 “爱不将就，我不将就！”

讲述一名长期专注研究而忽略妻子的科学家，当他发现妻子郁郁寡欢时已晚，为了拯救妻子，他踏上时间机器，希望借由相恋之旅来扭转妻子的命运。影片将过去与未来的旅程交叠拼贴，也映照出那时此刻的悸动与失落。