It’s been roughly 30 years since the desktop computer revolutionized the way the graphic design industry works. For decades before that, it was the hands of industrious workers, and various ingenious machines and tools that brought type and image together on meticulously prepared paste-up boards, before they were sent to the printer. 　　The documentary, Graphic Means, which is now in production, will explore graphic design production of the 1950s through the 1990s—from linecaster to photocomposition, and from paste-up to PDF.

阿富汗2014。当部队即将撤离时，Antarès Bonassieu上尉和他的部队被指派在巴基斯坦边境的Wakhan偏远山谷执行控制和监视任务。尽管他们下定决心，但安塔利斯和他的手下逐渐失去了对本应平静的地区的控制。九月的一个晚上，山谷里的士兵神秘地消失了。

El Planeta is a dark comedy exploring contemporary poverty, female desire, and the always complicated filial relationships of mothers and daughters. A daughter forced to return home after the death of her father, reconnects with her eccentric mother, hustling to maintain the semblances of their middle-class lifestyle in the face of an impending eviction. Over the course of the week we watch as the daughter's hopes are tested as she attempts to use her sexuality as a means of escape. meanwhile the mother grifts her way into definite security -the care of a jail cell.

El Planeta is a dark comedy exploring contemporary poverty, female desire, and the always complicated filial relationships of mothers and daughters. A daughter forced to return home after the death of her father, reconnects with her eccentric mother, hustling to maintain the semblances of their middle-class lifestyle in the face of an impending eviction. Over the course of the week we watch as the daughter's hopes are tested as she attempts to use her sexuality as a means of escape. meanwhile the mother grifts her way into definite security -the care of a jail cell.

In 1964 author Samuel Beckett set out on one of the strangest ventures in cinematic history: his embattled collaboration with silent era genius Buster Keaton on the production of a short, titleless avant-garde film. Beckett was nearing the peak of his fame, which would culminate in his receiving a Nobel Prize five years later. Keaton, in his waning years, never lived to see Beckett’s canonization. The film they made along with director Alan Schneider, renegade publisher Barney Rosset, and Academy Award-winning cinematographer Boris Kaufman, has been the subject of praise, condemnation, and controversy for decades. Yet the eclectic participants are just one part of a story that stretches to the very birth of cinema, and spreads out to our understanding of human consciousness itself. 　　NOTFILM is a feature-length experimental essay on FILM’s production and its philosophical implications, utilizing additional outtakes, never before heard audio recordings of the production meetings, and other rare archival elements.

4.3 사건으로 상처 입은 제주도와 제주사람들... 　　그리고 지금 아프게 부서져 가는 강정마을의 이야기 　　제주시 애월읍 납읍에 살고 계신 강상희 할머니, 할머니의 남편 김봉수는 4.3으로 희생되었다. 해군기지 문제로 떠들썩한 서귀포시 강정마을. ‘4.3의 원혼이 통곡한다’ 와 같은 수많은 현수막이 제주 4.3과 해군기지 문제가 다르지 않음을 말한다. 카메라는 유령처럼 제주도 납읍리, 가시리, 강정마을, 일본 오사카 등을 돌며 그 흔적과 균열들을 드러내기 시작하고 다시 강상희 할머니가 혼자 살고 있는 집 앞마당으로 돌아온다. 언제부터인지 알 수 없지만 잠자리 밑에 녹슨 톱을 두고 살아온 할머니의 삶... 가늠할 수 없는 깊은 슬픔을 짊어진 제주도와 제주사람들의 삶에서 녹슨 톱은 언제쯤 치워질 수 있을까. 　　Focusing on Mrs. Kang sang-hee's life, she lost her husband in Jeju Uprising (March 3rd, 1948). The film views the dark-side of Jeju Is land, a huge grave, which is completely opposite of the other side of the island, the famous tourist attraction. It says that the tragedy has been going on about the recent Gang-jeong village situation.

A man, Vince, wakes up in the middle of a film shoot. He doesn't know what's going on or why he's there, but crew members tell him he's one of the actors in the film so he decides to just play along. During the shooting of one scene, one of the other actors, 122, accidentally kills most of the crew. Vince, 122 and the remaining crew decide to finish the film by themselves, even though there's no script, no sound equipment (they decide to make it a silent film) and no camera (they then decide to also make it a "blind" film). 　　Like his music, this first feature film of Quentin Dupieux (aka Mr. Oizo) is at the same time totally retarded and utterly brilliant. A calm yet demented piece of metafiction, examining the boundaries between film and reality in a dry, absurdly humorous way.

在一个带着几分忧愁的清冷雨夜，孤独的男子独自待在家中打发无聊的时光，喂喂鱼、刮刮胡子、眺望窗外，一切枯燥至极。电视里正播放一出警匪片，男子有一搭无一搭地看着。吃完饭他起身出门，准备修理附近损坏的电缆。谁知原本平凡简单的活计，阴差阳错竟使电视中的劫匪跑到现实世界中。一场充满奇幻的大冒险就此展开…… 　　本片荣获1998年安卡拉国际电影节最佳国际动画短片奖、1998年克拉科夫电影节银龙奖、1997年爱丁堡国际电影节最佳英国动画奖、1998年墨尔本国际电影节最佳动画短片奖、1999年波兰国际电影节观众奖最佳短片、1998年萨格勒布世界动画电影节观众奖和第一名。

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