It’s been roughly 30 years since the desktop computer revolutionized the way the graphic design industry works. For decades before that, it was the hands of industrious workers, and various ingenious machines and tools that brought type and image together on meticulously prepared paste-up boards, before they were sent to the printer. 　　The documentary, Graphic Means, which is now in production, will explore graphic design production of the 1950s through the 1990s—from linecaster to photocomposition, and from paste-up to PDF.

Afghanistan 2014. While troops are on the verge of withdrawal, Captain Antarès Bonassieu and his section are assigned a control and surveillance mission in a remote valley of the Wakhan, on the Pakistan border. Despite their determination, Antarès and his men gradually lose control of what is supposedly a calm sector. Then one September night, soldiers in the valley mysteriously disappear.

阿富汗2014。当部队即将撤离时，Antarès Bonassieu上尉和他的部队被指派在巴基斯坦边境的Wakhan偏远山谷执行控制和监视任务。尽管他们下定决心，但安塔利斯和他的手下逐渐失去了对本应平静的地区的控制。九月的一个晚上，山谷里的士兵神秘地消失了。

大约 30 年前，台式电脑彻底改变了平面设计行业的运作方式。在此之前的几十年里，勤劳的工人用双手以及各种精巧的机器和工具将字体和图像组合在精心准备的拼贴板上，然后送到印刷厂。 　　《Graphic Means》探索了 20 世纪 50 年代到 90 年代的平面设计制作——从线刻机到照相排版，从拼贴到 PDF。

El Planeta is a dark comedy exploring contemporary poverty, female desire, and the always complicated filial relationships of mothers and daughters. A daughter forced to return home after the death of her father, reconnects with her eccentric mother, hustling to maintain the semblances of their middle-class lifestyle in the face of an impending eviction. Over the course of the week we watch as the daughter's hopes are tested as she attempts to use her sexuality as a means of escape. meanwhile the mother grifts her way into definite security -the care of a jail cell.

El Planeta is a dark comedy exploring contemporary poverty, female desire, and the always complicated filial relationships of mothers and daughters. A daughter forced to return home after the death of her father, reconnects with her eccentric mother, hustling to maintain the semblances of their middle-class lifestyle in the face of an impending eviction. Over the course of the week we watch as the daughter's hopes are tested as she attempts to use her sexuality as a means of escape. meanwhile the mother grifts her way into definite security -the care of a jail cell.

Elliot is staying with her ex’s new girlfriend while attending a medical trial for her recent, unexplained loss of hearing. As she reconfigures her relationship with her (sonic) environment and herself, an intimate connection sparks between the two women. With captivating performances by Victoria Pedretti and Maya Hawke, this loose adaptation of director Eliza Barry Callahan’s semi-autobiographical novel The Hearing Test captures the uneasy process of letting go and embracing change with sensitive warmth.

4.3 사건으로 상처 입은 제주도와 제주사람들... 　　그리고 지금 아프게 부서져 가는 강정마을의 이야기 　　제주시 애월읍 납읍에 살고 계신 강상희 할머니, 할머니의 남편 김봉수는 4.3으로 희생되었다. 해군기지 문제로 떠들썩한 서귀포시 강정마을. ‘4.3의 원혼이 통곡한다’ 와 같은 수많은 현수막이 제주 4.3과 해군기지 문제가 다르지 않음을 말한다. 카메라는 유령처럼 제주도 납읍리, 가시리, 강정마을, 일본 오사카 등을 돌며 그 흔적과 균열들을 드러내기 시작하고 다시 강상희 할머니가 혼자 살고 있는 집 앞마당으로 돌아온다. 언제부터인지 알 수 없지만 잠자리 밑에 녹슨 톱을 두고 살아온 할머니의 삶... 가늠할 수 없는 깊은 슬픔을 짊어진 제주도와 제주사람들의 삶에서 녹슨 톱은 언제쯤 치워질 수 있을까. 　　Focusing on Mrs. Kang sang-hee's life, she lost her husband in Jeju Uprising (March 3rd, 1948). The film views the dark-side of Jeju Is land, a huge grave, which is completely opposite of the other side of the island, the famous tourist attraction. It says that the tragedy has been going on about the recent Gang-jeong village situation.