Jukti, Takko Aar Gappo " was the legendary Ritwik Ghatak's last film, starring the writer/director himself as a learned man whose wife leaves him because of his insufferable alcoholism. Forced from his home, he wanders through the countryside and meets unusual folks along the way. The film, adventurous and revolutionary, is a exceptional mix of images that challenge the limits of narrative storytelling. Made two years before the director´s death, the film is also a personal and desparate last attempt to confront the separation of his beloved home country.

Jukti, Takko Aar Gappo " was the legendary Ritwik Ghatak's last film, starring the writer/director himself as a learned man whose wife leaves him because of his insufferable alcoholism. Forced from his home, he wanders through the countryside and meets unusual folks along the way. The film, adventurous and revolutionary, is a exceptional mix of images that challenge the limits of narrative storytelling. Made two years before the director´s death, the film is also a personal and desparate last attempt to confront the separation of his beloved home country.

Ludwig von Drake, the scatterbrained, finance-conscious personality who made his debut as the host of Walt's anthology television series when it was renamed "Wonderful World of Color", hosts this trip down memory lane recalling the hit songs that he wrote. The short bounces between von Drake's indirect introductions and stop-motion-animated sequences of paper cut-outs that bring the music to life. Along with von Drake's fictional tour, viewers are taken on an actual tour through the musical styles of the first sixty years or so of last century. The tunes land somewhere between parody and homage. They include rag, Bing Crosby-style crooning, boogie woogie, and, most memorably, "Puppy Love" à la Frankie Valli and the Four Seasons. This is one of the collection's more dated cartoons (although von Drake's ramblings about stereophonic sound don't seem all that different from a modern technophile's babble), but those who are fond of the popular music of previous generations should get a kick out of it.

影片讲述年轻偶像和老戏骨合作出演一部电影，为进入角色两人一同生活，逐渐相互吸引。老戏骨的女友也察觉到二人的改变。在戏剧和现实之间，欲望展开了一场危险的拉锯战。

影片讲述年轻偶像和老戏骨合作出演一部电影，为进入角色两人一同生活，逐渐相互吸引。老戏骨的女友也察觉到二人的改变。在戏剧和现实之间，欲望展开了一…

凯奇饰演前神枪手演科尔顿·布里格斯，现在经营着一家杂货店，和家人一起平静地生活。当一帮歹徒残忍地杀害了他的妻子，布里格斯回到家，发现他的世界在燃烧。他掏出手枪，和一个意想不到的人——他12岁的女儿组队一起寻求复仇。

凯奇饰演前神枪手演科尔顿·布里格斯，现在经营着一家杂货店，和家人一起平静地生活。当一帮歹徒残忍地杀害了他的妻子，布里格斯回到家，发现他的世界在燃烧。他掏出手枪，和一个意想不到的人——他12岁的女儿组队一起寻求复仇。

马克，一个有着躁郁症和偏执型人格障碍的电影人，不能容忍制片人对目前的项目吹毛求疵。在剪辑员的帮助下，他偷偷把拍摄素材送到了姨妈家，设法完成他心中的电影。然而，成片时间仍被不断推迟，因为他制造了无穷无尽的转折和僵局，在滑稽和彻头彻尾的焦虑之间交替出现。

马克，一个有着躁郁症和偏执型人格障碍的电影人，不能容忍制片人对目前的项目吹毛求疵。在剪辑员的帮助下，他偷偷把拍摄素材送到了姨妈家，设法完成他心中的电影。然而，成片时间仍被不断推迟，因为他制造了无穷无尽的转折和僵局，在滑稽和彻头彻尾的焦虑之间交替出现。