故事发生在初春的澳门。40 多岁，失婚、不善言辞的马达(张继聪饰)居住在准备迁拆的老房子，他患有严重的失眠症，无法入睡的他通过当夜间的士司机来排解失眠的痛苦。一天晚上马达接上了早上当酒楼知客，晚上当啤酒女郎的莲娜(周秀娜饰)，两人因误会成为朋友，马达更当上了莲娜上下班的专用司机。莲娜的出现令马达的生活多了一点色彩，甚至开始认为自己走出失婚的伤痛。在澳门，莲娜是寂寞的，身边的同事都不喜欢她，认为她就是一个很爱钱，不择手段的女人，因为她总是用上天赐予的性感身材去换取特殊待遇。莲娜心知马达的爱意，只是莲娜背后埋藏著一段未能释怀的过去⋯⋯

故事发生在初春的澳门。40 多岁，失婚、不善言辞的马达(张继聪饰)居住在准备迁拆的老房子，他患有严重的失眠症，无法入睡的他通过当夜间的士司机来排解失眠的痛苦。一天晚上马达接上了早上当酒楼知客，晚上当啤酒女郎的莲娜(周秀娜饰)，两人因误会成为朋友，马达更当上了莲娜上下班的专用司机。莲娜的出现令马达的生活多了一点色彩，甚至开始认为自己走出失婚的伤痛。在澳门，莲娜是寂寞的，身边的同事都不喜欢她，认为她就是一个很爱钱，不择手段的女人，因为她总是用上天赐予的性感身材去换取特殊待遇。莲娜心知马达的爱意，只是莲娜背后埋藏著一段未能释怀的过去⋯⋯

2007年，一个白人背包客来到了风光旖旎的岛国马达加斯加。这里民风独特，与大城市有着截然不同的异域风光。背包客来到喧嚣街头的一间餐馆，见到当地一名青年。青年热情地招呼他，并向其介绍了马达加斯加神奇且独有的节日翻尸节（Famadihana）。所谓翻尸节，是每隔一段时间将祖先的尸体挖出来，活着的人和祖先们一同跳舞。背包客感到非常好奇，于是接过了黑人青年写下的地址，前往位于遥远中部的名为Ambano的小村庄。经过了漫长的跋涉，他终于抵达小村庄。此时村民们正载歌载舞，享乐其中，模糊了生与死、过去与现在的界限，一切混为一体……

2007年，一个白人背包客来到了风光旖旎的岛国马达加斯加。这里民风独特，与大城市有着截然不同的异域风光。背包客来到喧嚣街头的一间餐馆，见到当地一名青年。青年热情地招呼他，并向其介绍了马达加斯加神奇且独有的节日翻尸节（Famadihana）。所谓翻尸节，是每隔一段时间将祖先的尸体挖出来，活着的人和祖先们一同跳舞。背包客感到非常好奇，于是接过了黑人青年写下的地址，前往位于遥远中部的名为Ambano的小村庄。经过了漫长的跋涉，他终于抵达小村庄。此时村民们正载歌载舞，享乐其中，模糊了生与死、过去与现在的界限，一切混为一体……

In the 1830's, the island of Quemada in the Antilles is a Portuguese colony - that is, until an English agent provocateur arrives and inspires the black slaves to rise and expel the colonial authorities. However, as is always the way with revolutions, a group of middle-class power brokers seizes political control and the people's aspirations are betrayed. 　　Ten years pass, and the sugar industry now requires peace and stability on Quemada. The continuing guerilla campaign by the dispossessed blacks is harming profits. The very same English adventurer is once more despatched to the island, this time to hunt down and eradicate the revolutionaries he created. 　　Marlon Brando plays Sir William Walker in his best Fletcher Christian English accent and a blonde wig with a life of its own. His is a thoughtful performance, putting across the complexity of the man, a character who is undoubtedly cynical and unscrupulous, but who is also an emotional man and something of a political philosopher. He is certainly effective at what he does. 　　The direction of Gillo Pontecorvo is somewhat erratic at times. There are points where the narrative is confused, and the gold robbery which drives the plot somehow got left on the cutting-room floor. Jose Dolores' rise to power is the most significant event in the story, but we see nothing of it. During the voodoo carnival, two of the participants are wearing 20th-century soccer shorts. The film's central pivot, the passage of ten years between Walker's two visits to the island, is handled very sketchily by means of a few incongruous London scenes and a voice-over narration. 　　But there are good things, too. When Santiago's widow hauls her husband's body away, the masonry of the fort stands as a silent metaphor of colonial power - harsh, overbearing and sterile. Brando has some fine speeches, musing on the nature of political legitimism. The fire scenes are visually arresting (though it would have sufficed to have two or three guerillas being shot as they emerged from the burning sugar cane: seven or eight is labouring the point), and Walker is positively luminous against the tortured black shapes of the charred forest, showing in symbolic form that this man thrives on the suffering of the blacks, and that destruction is his natural element.

In the 1830's, the island of Quemada in the Antilles is a Portuguese colony - that is, until an English agent provocateur arrives and inspires the black slaves to rise and expel the colonial authorities. However, as is always the way with revolutions, a group of middle-class power brokers seizes political control and the people's aspirations are betrayed. 　　Ten years pass, and the sugar industry now requires peace and stability on Quemada. The continuing guerilla campaign by the dispossessed blacks is harming profits. The very same English adventurer is once more despatched to the island, this time to hunt down and eradicate the revolutionaries he created. 　　Marlon Brando plays Sir William Walker in his best Fletcher Christian English accent and a blonde wig with a life of its own. His is a thoughtful performance, putting across the complexity of the man, a character who is undoubtedly cynical and unscrupulous, but who is also an emotional man and something of a political philosopher. He is certainly effective at what he does. 　　The direction of Gillo Pontecorvo is somewhat erratic at times. There are points where the narrative is confused, and the gold robbery which drives the plot somehow got left on the cutting-room floor. Jose Dolores' rise to power is the most significant event in the story, but we see nothing of it. During the voodoo carnival, two of the participants are wearing 20th-century soccer shorts. The film's central pivot, the passage of ten years between Walker's two visits to the island, is handled very sketchily by means of a few incongruous London scenes and a voice-over narration. 　　But there are good things, too. When Santiago's widow hauls her husband's body away, the masonry of the fort stands as a silent metaphor of colonial power - harsh, overbearing and sterile. Brando has some fine speeches, musing on the nature of political legitimism. The fire scenes are visually arresting (though it would have sufficed to have two or three guerillas being shot as they emerged from the burning sugar cane: seven or eight is labouring the point), and Walker is positively luminous against the tortured black shapes of the charred forest, showing in symbolic form that this man thrives on the suffering of the blacks, and that destruction is his natural element.

剧情简介： 　　黑严、白丽丽、黄彦修拿下机器人市赛冠军后，必须在一个暑假内准备好马上到来的全台赛。當時間所剩不多時，却接二连三地发生机器被抄袭、奖金分配不均、被恶霸同学欺负等事情，三人必须盡快团结起来，才有机会取胜！ 　　主创名单： 　　编剧：袁勳 　　导演：袁勳 　　摄影：叶国麟 　　美术：廉夏夏 　　录音：胡晓 　　制片主任：肖少杰、廖无双 　　主演：單允家、黃晟銘、楊大衛、李冠群

剧情简介： 　　黑严、白丽丽、黄彦修拿下机器人市赛冠军后，必须在一个暑假内准备好马上到来的全台赛。當時間所剩不多時，却接二连三地发生机器被抄袭、奖金分配不均、被恶霸同学欺负等事情，三人必须盡快团结起来，才有机会取胜！ 　　主创名单： 　　编剧：袁勳 　　导演：袁勳 　　摄影：叶国麟 　　美术：廉夏夏 　　录音：胡晓 　　制片主任：肖少杰、廖无双 　　主演：單允家、黃晟銘、楊大衛、李冠群

Captain Woodrow Call, now retired from the Rangers, is a bounty hunter. He is hired by an eastern rail baron to track down Joey Garza, a new kind of killer, only a boy, who kills from a distance with a rifle. Joined by his old compadre Pea Eye, it is a long ride to south Texas and the Mexican side of the border, where the past, in the form of Maria Garza, Joey's mother, haunts Call.

某一天的棒球场上，有个看着超辣妹的啤酒小姐缠上了我!? 但其实这个女孩超级纯情……。 这次的舞台在某个专业棒球场!这里每天都聚集着许多人，大家在这里工作，一起欢笑。这个上演人间喜剧的球场，简直就像一个小镇! 来吧，你也一起来棒球场玩耍吗!?