我们在影片中以木马病毒作为主要元素，通过梦境中的“侦查”展开剧情发展。观众代入到侦查者的身份，他们并不仅观赏还会代入到里面，对梦境中产生未知感受。同时也在渴望找到困惑自己这个矛盾体的答案。

算命为生的梁夕因一时善心救下仙人宇文青阳，被仙人传授万年真力和翻天印，从此踏上了修真之路。在宇文青阳的指示下，梁夕前往天灵门拜师学艺。而路途中，梁夕遇到了莫名亲切而一起同行的小白狐。 以天灵门作为修行起点的梁夕结识了朋友与师尊，又阴差阳错从妖兽身上获得了神秘兵器坎水刃。坎水刃乃是云麓仙居开山祖师的法宝武器，他们要求梁夕归还，但如果梁夕能让龙息淬炼坎水刃的话他们就不予追究，否则就要天灵门付出代价。看出云麓仙居是借故找茬的梁夕决心前往东海寻找龙族，却因为意外吸入龙族血液，成为了天地间第一位龙族外戚。在向龙神说明情况之后，梁夕达成了龙神提出的要求，成功让坎水刃被龙息淬炼，也救回了师门。 云麓仙居的出现不过是插曲，正值天灵门掌教青木道人突破金仙出关时，天灵门上空突然出现了空间裂缝，从中出现的双头老祖带着人面蜘蛛大举进攻，一度将梁夕掳到了人界之外，生命危机之时，翻天印爆发救了梁夕。 此事之后，梁夕也终于有了一处属于自己的领地——桑曲河。桑曲河位置特殊，处于楚国国境边缘不说，还十分贫瘠，坐落在这里的红薯城饱受各方强盗侵扰，梁夕为了改善红薯城做了各式各样的的努力。在击退了强盗组织红发魔军的进攻之后，为了不坐以待毙，梁夕开始探查在桑曲河的强盗势力的情况，却逐渐发现了七界里流传着的紫薇大帝传说的怪异之处，而这一切又让梁夕有似曾相识的奇妙感觉，让梁夕倍感诧异。 为了查明一切的真相，梁夕继续提升自己，在七界之中探索下去。

算命为生的梁夕因一时善心救下仙人宇文青阳，被仙人传授万年真力和翻天印，从此踏上了修真之路。在宇文青阳的指示下，梁夕前往天灵门拜师学艺。而路途中，梁夕遇到了莫名亲切而一起同行的小白狐。 以天灵门作为修行起点的梁夕结识了朋友与师尊，又阴差阳错从妖兽身上获得了神秘兵器坎水刃。坎水刃乃是云麓仙居开山祖师的法宝武器，他们要求梁夕归还，但如果梁夕能让龙息淬炼坎水刃的话他们就不予追究，否则就要天灵门付出代价。看出云麓仙居是借故找茬的梁夕决心前往东海寻找龙族，却因为意外吸入龙族血液，成为了天地间第一位龙族外戚。在向龙神说明情况之后，梁夕达成了龙神提出的要求，成功让坎水刃被龙息淬炼，也救回了师门。 云麓仙居的出现不过是插曲，正值天灵门掌教青木道人突破金仙出关时，天灵门上空突然出现了空间裂缝，从中出现的双头老祖带着人面蜘蛛大举进攻，一度将梁夕掳到了人界之外，生命危机之时，翻天印爆发救了梁夕。 此事之后，梁夕也终于有了一处属于自己的领地——桑曲河。桑曲河位置特殊，处于楚国国境边缘不说，还十分贫瘠，坐落在这里的红薯城饱受各方强盗侵扰，梁夕为了改善红薯城做了各式各样的的努力。在击退了强盗组织红发魔军的进攻之后，为了不坐以待毙，梁夕开始探查在桑曲河的强盗势力的情况，却逐渐发现了七界里流传着的紫薇大帝传说的怪异之处，而这一切又让梁夕有似曾相识的奇妙感觉，让梁夕倍感诧异。 为了查明一切的真相，梁夕继续提升自己，在七界之中探索下去。

在盖亚塔等待伊月和斯巴鲁的是自称数据生命体的埃尔德。 使盖娅塔无力化的方法有两种。 一个是埃尔德自己促使塔倒塌。 还有一点……战胜了与埃尔德的战斗。 为了拯救世界，两人怀着强烈的觉悟挑战战斗，但与埃尔德的战斗很不寻常，被迫进行苦战。 最重要的是，埃尔德显示了强大无比的王牌的存在。 埃尔德说话。 “因为这个随从，不过是通往绝杰的路”……

在盖亚塔等待伊月和斯巴鲁的是自称数据生命体的埃尔德。 使盖娅塔无力化的方法有两种。 一个是埃尔德自己促使塔倒塌。 还有一点……战胜了与埃尔德的战斗。 为了拯救世界，两人怀着强烈的觉悟挑战战斗，但与埃尔德的战斗很不寻常，被迫进行苦战。 最重要的是，埃尔德显示了强大无比的王牌的存在。 埃尔德说话。 “因为这个随从，不过是通往绝杰的路”……

Seven people waiting for their death. A group of assasins - three men and two women - and Gypsy thief spend their time in prison to be tucked up. Within psychological realism, which encompassed the period’s predilection for existential mimicry, Martin Holly created an outstanding film, an adaptation of a story by the Russian author Leonid Andreev. Holly’s The Ballad of Seven Hanged Men (Balada o siedmich obesenych, 1968) reconstructed the fates of seven young anarchists sentenced to death for an attempted assassination. Shortly before their execution, the viewer sees seven different responses to the anxiety that each of the characters experiences. The characters, which are so very different, yet so convincing, change the viewer’s experience every second. 　　These distinctive television movies were shot on film with the participation of several film directors (Martin Holly, Stanislav Barabas, Peter Solan, Juraj Herz, Jozef Zachar) and directors of photography (Stanislav Szomolanyi, Igor Luther, Dodo Simoncic, Vincent Rosinec). Characterised by inventive camera work and stylish musical scores, they include Balada o siedmich obesenych (‘The Ballad of Seven Hanged Men’) by Martin Holly, Sladke hry minuleho leta (‘Sweet Amusements of Last Summer’) by Juraj Herz, Krotka (‘The Meek One’) by Stanislav Barabas, Dama (The Dame), a narrative creative interpretation by Ivan Balada based on the literary work of Svantner, Hornak’s adaptation of Vincent Sikula’s S Rozarkou (‘With Rozarka’), Peter Solan’s Slavny pes (‘The Famous Dog’) based on the short story by Jan Weiss, and Tapak’s Zivy bic (‘The Living Scourge’) based on the novel by Milo Urban and others. Several of these films won prizes at international television festivals. Despite the official closure of Television Film Works in 1971, the dramaturgical and creative potential unleashed there later became the foundation for the development of dramatic television work and its creative culminations in the 1970s and 1980s. (<Slovak film New Wave>) 　　http://www.kviff.com/en/history-years/2006/program/?s=219

Seven people waiting for their death. A group of assasins - three men and two women - and Gypsy thief spend their time in prison to be tucked up. Within psychological realism, which encompassed the period’s predilection for existential mimicry, Martin Holly created an outstanding film, an adaptation of a story by the Russian author Leonid Andreev. Holly’s The Ballad of Seven Hanged Men (Balada o siedmich obesenych, 1968) reconstructed the fates of seven young anarchists sentenced to death for an attempted assassination. Shortly before their execution, the viewer sees seven different responses to the anxiety that each of the characters experiences. The characters, which are so very different, yet so convincing, change the viewer’s experience every second. 　　These distinctive television movies were shot on film with the participation of several film directors (Martin Holly, Stanislav Barabas, Peter Solan, Juraj Herz, Jozef Zachar) and directors of photography (Stanislav Szomolanyi, Igor Luther, Dodo Simoncic, Vincent Rosinec). Characterised by inventive camera work and stylish musical scores, they include Balada o siedmich obesenych (‘The Ballad of Seven Hanged Men’) by Martin Holly, Sladke hry minuleho leta (‘Sweet Amusements of Last Summer’) by Juraj Herz, Krotka (‘The Meek One’) by Stanislav Barabas, Dama (The Dame), a narrative creative interpretation by Ivan Balada based on the literary work of Svantner, Hornak’s adaptation of Vincent Sikula’s S Rozarkou (‘With Rozarka’), Peter Solan’s Slavny pes (‘The Famous Dog’) based on the short story by Jan Weiss, and Tapak’s Zivy bic (‘The Living Scourge’) based on the novel by Milo Urban and others. Several of these films won prizes at international television festivals. Despite the official closure of Television Film Works in 1971, the dramaturgical and creative potential unleashed there later became the foundation for the development of dramatic television work and its creative culminations in the 1970s and 1980s. (<Slovak film New Wave>) 　　http://www.kviff.com/en/history-years/2006/program/?s=219

民间流传着只要得到南月国“大司巫”的《驭蛟录》便能养蛇成蛟，驭蛟化龙的传说。民国期间大量海外盗墓贼涌入华夏大地，他们抢夺国宝破坏文物，其中一队人发现了藏匿《驭蛟录》的地宫，决定抢先一步找到《驭蛟录》后将其藏起来。