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SAVE THE GAME, which meticulously and ingeniously documents the history of Korean PC games from the rise of personal computers in the 1980s to the present, can be seen as a sequel to director Park Yoonjin’s previous work, People in Elancia (2020). While the earlier film observed trends in the gaming industry through the affectionate perspectives and dynamic activities of the players of the RPG game ‘Elancia’, SAVE THE GAME focuses on the history of the Korean gaming industry through the testimonies of industry professionals and historical materials. It is a clever and scrupulous documentary that systematically organizes the stories of the first-generation game developers, and summarizes the historical flow by varying the content of the introductory captions of these living witnesses of the Korean game industry.

Yun Suknam, born in 1939, supported her widowed mother and siblings from a young age. By the time she turned 40, she felt suffocated by societal roles and chose to pursue painting, spending all her money on supplies and refusing to quit. As a first-generation feminist artist, she continues to paint in her eighties, proving that art is about perseverance, resilience, and an unbreakable will.

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In an attempt to restart her career, a 40-something-year-old pretends to be twenty years younger to land a job.

평범한 휴학생 연우. 아르바이트와 공부를 병행하며 바쁜 나날들을 보내고 있다. 모처럼 늦잠 자던 어느 날, 문을 세게 두드리는 소리에 잠에서 깬다.. 　　(쿵쿵) "...외국인이요?" "아뇨. 외계인이요. " 　　연우의 집 앞에 불쑥 나타난, 자신을 외계인이라고 주장하는 여자. 무시하려 하지만, 신경쓰이는 여자를 집에 들이는 순간 둘의 기묘한 '동거'가 시작된다. 연우의 일상에 생긴 작고도 큰 변화.둘의 '동거'는 무사히 이어질 수 있을까?

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