Due to some common interests between German and Russian aristocracy ( the Russians even had aristocrats in their past not to mention they had an Empress called Catherine the Great, as great as this German count's heiresses… ), it is not strange that this Teutonic count has understood and even enjoyed Herr S. M. Eisenstein's "Staroye I Novoye". 　　It is not very usual that for the aristocracy to enjoy Bolshevist films full of proletarian demands that put private property at risk or as it happens in this case, a film about the Communist Party's policy on the subject of the collectivization of the Soviet agriculture. Normally this would be perfect gibberish for this German count, but thanks to Herr Eisenstein 's greatness and directorial talent, the hardships of the heroine of the film, Dame Marfa ( Dame Marfa Lapkina ) breached even the thick aristocratic Schloss walls. 　　And that's one of the first remarkable aspects of this oeuvre; in spite of the political subject of the film, the powerful images and lyricism ( astonishing and beautiful shot compositions ), especially during the first part of the movie, preserve the artistic merits entirely while serving a propaganda purpose. The second remarkable aspect of the film is the dichotomy between the old and new, the fight to improve the lot of Dame Marfa and her countrymen. There are many discussions because it is not easy even in Russia to change ancient and conservative customs. There are superb metaphors and social criticism ( illiteracy, bureaucracy, religiosity ) which perfectly fit the film, and last but not least, "Staroye I Novoye", is a kind of archaic documentary about ancient customs established deeply in old Russia, those ones that our heroine must fight against. And there is also a lot about agriculture ( very enlightening for this German count), especially about harvesting and how to fatten Russian cows or pigs ( literally, no pun here… ). 　　Herr Eisenstein had to bear during the last era of his film career, unbelievable censorship and mutilation of his work, as happens with "Staroye I Novoye". The film was reedited and Eisenstein accused of sympathizing with Trostky's policies but fortunately the film was restored and showed by the German-frenchified t.v. channel "ARTE", natürlich!, including an evocative music score by Herr Taras Bujewski, that fits superbly Herr Eisenstein primal artistic interests. 　　And now, if you'll allow me, I must temporarily take my leave because this German Count must buy a tractor for one of his Teutonic heiress.

该剧讲述妈妈和女儿一起追踪婚礼当天逃跑的新郎而展开的追击喜剧故事。

为庆祝改革开放四十周年，由东方卫视东方风云榜打造，通过揭晓一首首掷地有声的时代金曲，为观众献上一台镌刻记忆、充满温度的视听盛宴。现场共揭晓记忆金声、风尚金声等多个奖项以及最受欢迎歌手。

为庆祝改革开放四十周年，由东方卫视东方风云榜打造，通过揭晓一首首掷地有声的时代金曲，为观众献上一台镌刻记忆、充满温度的视听盛宴。现场共揭晓记忆金声、风尚金声等多个奖项以及最受欢迎歌手。

奥米（文森特·斯卡维利 Vincent Schiavelli 配音）生活在俄国沙皇统治时期的美国，虽然国家有哥萨克卫队维持秩序，但是在俄军的残酷杀戮下，人民的生活被摧毁，流离失所，生活艰难。奥米的爸爸是一位教父，但在侵略者的暴行下被残忍屠杀。悲痛的妈妈带着奥米离开家乡，一直流浪到一个新城市，在那里过着艰难的生活。然而，命运眷顾着奥米，他遇见了名不见经传的歌手路易。年少的奥米成为了路易的助手，通过四处演唱赚取一些微薄的收入来维持生计。 　　然而，当家庭生活刚刚有所起色时，一场无情的大火夺去了奥米的妈妈的生命，使他失去了唯一的亲人。在火灾之后，奥米和路易依靠彼此求生。然而，更不幸的事情接踵而至，奥米在俄军的袭击中受重伤，声带损坏，再也无法继续演唱歌曲。在无法发出歌声的痛苦日子里，奥米逐渐长大成为一个英俊的年轻人。在这个时候，他遇见了生命中的另一位重要女性，美丽的舞女贝拉（丽莎·简·波斯基 Lisa Jane Persky 配音）。两人彼此相知相爱，并迎来了他们的孩子贝尼。然而，刚刚开始的幸福生活被恐怖分子的袭击所打破，贝拉不幸遇难，让奥米再次陷入了悲伤和困境之中。

奥米（文森特·斯卡维利 Vincent Schiavelli 配音）生活在俄国沙皇统治时期的美国，虽然国家有哥萨克卫队维持秩序，但是在俄军的残酷杀戮下，人民的生活被摧毁，流离失所，生活艰难。奥米的爸爸是一位教父，但在侵略者的暴行下被残忍屠杀。悲痛的妈妈带着奥米离开家乡，一直流浪到一个新城市，在那里过着艰难的生活。然而，命运眷顾着奥米，他遇见了名不见经传的歌手路易。年少的奥米成为了路易的助手，通过四处演唱赚取一些微薄的收入来维持生计。 　　然而，当家庭生活刚刚有所起色时，一场无情的大火夺去了奥米的妈妈的生命，使他失去了唯一的亲人。在火灾之后，奥米和路易依靠彼此求生。然而，更不幸的事情接踵而至，奥米在俄军的袭击中受重伤，声带损坏，再也无法继续演唱歌曲。在无法发出歌声的痛苦日子里，奥米逐渐长大成为一个英俊的年轻人。在这个时候，他遇见了生命中的另一位重要女性，美丽的舞女贝拉（丽莎·简·波斯基 Lisa Jane Persky 配音）。两人彼此相知相爱，并迎来了他们的孩子贝尼。然而，刚刚开始的幸福生活被恐怖分子的袭击所打破，贝拉不幸遇难，让奥米再次陷入了悲伤和困境之中。

英国知名历史学家迈克尔·伍德，决心走进中国，倾听亲历者的故事，探寻中国改革开放四十年的历史脉络。这也将是迈克尔·伍德继创作经典纪录片《中华的故事》之后，又一部解读中国的佳作。 　　迈克尔·伍德记录中国的方式是他自己的。他在接受《环球时报》采访时说，西方国家拍摄有关中国的纪录片时，在叙事内容方面总少不了“三个故事”，表现出乏善可陈的老三样：一是高速发展的中国经济，二是中国的一党专政，三是中国的人权和言论自由如何如何。我的做法是，客观拍摄但以一种容易让西方受众接受的方式。

一对老友在公路旅行中被困沙漠，屡次求助无门酷暑难挡使他们暴力相向。

Morse and Lewis investigate the death of Jackie Thorn who was found bound and stabbed in her flat. The murder is a carbon copy of one that occurred 27 days previously and they assume both were committed by the same man. The team is joined by Sgt. Siobhan Maitland, a expert in crimes against women. In the course of the investigation, they find that both women had purchased their cars from the same dealer and Morse becomes convinced that the owner, Jeremy Boynton, is the culprit. When they find a third assault victim who survived an attack some 5 years previously, Morse is more convinced than ever. The only thing now is that Morse needs evidence, provided he has the right man of course.

歌颂「社会主义祖国像百花盛开的大花园」