高好 （ 权俞利 饰）是一个平凡却又魅力十足的广告公司职员，她的直属上司黄知勋 （ 李志勋 饰）是她的前男友。她对事业和爱情都充满野心，喜欢给自己遇到的任何事物评分，没想到这评分却为高好吸引了姜泰浩 （ 金英光 饰）和其他四位广告公司男同事的告白，一个现实感十足的浪漫爱情故事由此展开。

《评价女王》主要讲述的是一位无时无刻满脑子都是“喜欢给任何事物评分”的平凡却十分有魅力的广告公司职员“梵高（权俞利 饰）”寻找真爱的趣味故事，是一部现实感十足的浪漫爱情剧。

新婚夜，嬷嬷告诉我，我的夫君有个双胞胎兄弟玄王，两人长得一模一样，唯独夫君眼角有一颗美人痣不同。每晚我都要轻抚他的美人痣才能安心。可我却发现，夫君的性情总是大变，而两人，也从未同时出现过。直到我看见夫君胸膛遍布的伤痕才发现一切的真相。

根据纳奥米·克莱恩 (Naomi Klein)的同名著作拍摄而成，深入挖掘出美英等国如何通过推行新自由主义经济政策，来利用自然灾害、战争和恐怖主义建立其资本主义的霸主地位。 　　纳奥米·克莱恩以美国中情局的[休克疗法]为比喻，批判弗里德曼及芝加哥学派领军的自由市场经济狂热信徒，其 手段与目的就如同上述心理实验。这些人近四十年来趁著天灾人祸的“大好机会”，在世界各地发动经济[休克疗法]，不论是智利政变、金融风暴，还是9/11恐怖攻击、伊拉克战争、南亚海啸、卡特里娜飓风，皆成为他们推动「休克主义」的绝佳舞台。 　　自由市场鼓吹者不断散播的思想之一，是经济开放可以促成政治民主。然而克莱恩细究数十年来全球各地的状况，实情却是市场经济常不惜镇压民主，以激烈手段彻底实行自由市场及私有化政策，带来的不是”短期阵痛“后富裕的新世界，而是广大民众的悲惨处境。

Jukti, Takko Aar Gappo " was the legendary Ritwik Ghatak's last film, starring the writer/director himself as a learned man whose wife leaves him because of his insufferable alcoholism. Forced from his home, he wanders through the countryside and meets unusual folks along the way. The film, adventurous and revolutionary, is a exceptional mix of images that challenge the limits of narrative storytelling. Made two years before the director´s death, the film is also a personal and desparate last attempt to confront the separation of his beloved home country.

江铭发现，高冷师姐与软萌师妹因十年相依，误将深厚的同门羁绊当作特殊情愫。为帮二人厘清情感、回归纯粹情谊，他以同门之责主动介入，伴她们闯修行关卡、破认知迷雾。这场情谊正名之旅，能否让三人共筑稳固的修仙同盟？

暂无剧情简介

Ludwig von Drake, the scatterbrained, finance-conscious personality who made his debut as the host of Walt's anthology television series when it was renamed "Wonderful World of Color", hosts this trip down memory lane recalling the hit songs that he wrote. The short bounces between von Drake's indirect introductions and stop-motion-animated sequences of paper cut-outs that bring the music to life. Along with von Drake's fictional tour, viewers are taken on an actual tour through the musical styles of the first sixty years or so of last century. The tunes land somewhere between parody and homage. They include rag, Bing Crosby-style crooning, boogie woogie, and, most memorably, "Puppy Love" à la Frankie Valli and the Four Seasons. This is one of the collection's more dated cartoons (although von Drake's ramblings about stereophonic sound don't seem all that different from a modern technophile's babble), but those who are fond of the popular music of previous generations should get a kick out of it.