回望历史，从养蚕栽棉到纺纱织布，从穿针引线到缝衣制服。传承了上千年的中国女红不仅满足了日常生活的需要，也让生活变得绘声绘色。回到现代社会，纺织捣练早已不是熟悉的日常。我们的生活似乎也不再依靠女红来维系。但是，细细一琢磨……我们的生活似乎早就和女红难分难舍，第一次学做针线活儿、妈妈亲手做的丝棉被、外婆出嫁时织的西南卡普、蓝印花布的裙子、羌绣抱枕、手工编制的草帽、还有缝纫机噔噔噔的转动声……女红,不仅是我们打开故乡温情的钥匙，更是慈母缝在我们记忆中的爱。由中央广播电视总台央视纪录频道出品，央视纪录国际传媒有限公司承制的六集纪录片《中国女红》将为您展现二十二种女红技艺，讲述二十四位女性的人生故事。让我们同《中国女红》一起重新找回那些熟悉的场景，唤起对过往岁月难以忘怀的记忆，感受这些指尖技艺重新焕发出的生命力。

回望历史，从养蚕栽棉到纺纱织布，从穿针引线到缝衣制服。传承了上千年的中国女红不仅满足了日常生活的需要，也让生活变得绘声绘色。回到现代社会，纺织捣练早已不是熟悉的日常。我们的生活似乎也不再依靠女红来维系。但是，细细一琢磨……我们的生活似乎早就和女红难分难舍，第一次学做针线活儿、妈妈亲手做的丝棉被、外婆出嫁时织的西南卡普、蓝印花布的裙子、羌绣抱枕、手工编制的草帽、还有缝纫机噔噔噔的转动声……女红,不仅是我们打开故乡温情的钥匙，更是慈母缝在我们记忆中的爱。由中央广播电视总台央视纪录频道出品，央视纪录国际传媒有限公司承制的六集纪录片《中国女红》将为您展现二十二种女红技艺，讲述二十四位女性的人生故事。让我们同《中国女红》一起重新找回那些熟悉的场景，唤起对过往岁月难以忘怀的记忆，感受这些指尖技艺重新焕发出的生命力。

故事发生在一个偏僻的小渔港。渔民们一年到头驾着竹筏出海捕鱼，留在家里的女孩们为了贴补家用，也纷纷拿起锋利的鱼枪潜入深海，捕捉各式鱼类卖给附近一家以经营海鲜闻名的酒店。每当夕阳西下，浪潮卷起千堆雪拍向岩石沙滩时，一群年轻貌美、身材矫健的女孩们，穿着粉红色短裤，手持鱼枪出没于海涛中，她们既是猎鱼者，也可能成为猎物… 　　一个黑道集团盯上了这个可供走私的小渔港，更看中了那些穿粉红短裤的海女们。于是，一场充满艳情、紧张、打斗而扑朔迷离的戏码就此展开。在观众已看腻了少林和尚飞檐走壁的打杀片，或是富家子与贫家女一见钟情的陈腐文艺片之际，《海女红短裤》的拍摄确实够刺激又吸引眼球。浪花、红短裤加上海女们的玉腿，构成了独特卖点。影片由当下影视界最具话题性的女星们出演，尤其是因裸露美腿新闻而备受关注的蓝毓莉主演。蓝毓莉身材健美，演技精湛，上映时票房火爆，早为观众所期待。

在东町小学校的五年三组内的五个小学生某日意外弄伤了一位阿姨。所以他们就替她治疗，但她离开时留下一个蓝色的袋子，他们想还袋子时发现她是魔女红玫瑰。而袋子里有七件魔法道具，他们就拿这些道具与魔女红玫瑰产生不少事。

在东町小学校的五年三组内的五个小学生某日意外弄伤了一位阿姨。所以他们就替她治疗，但她离开时留下一个蓝色的袋子，他们想还袋子时发现她是魔女红玫瑰。而袋子里有七件魔法道具，他们就拿这些道具与魔女红玫瑰产生不少事。

Consists of segments: (1) "The Classical Ideal". The origins of Western art are traced to ancient Greece through Kouroi and Korai figures, as well as by the architectures of the Pantheon. From Greece to Rome through the Hellenistic period, the program focuses on the new artistic approach to human form and violent emotions that reached its pinnacle with the altar of Zeus at Pergamun. (2) "A White Garment of Churches". Examines Romanesque and Gothic churches as evidence of the values of the societies that created them. Shows the effect of monasticism and pilgrimage on Romanesque church architecture. Uses Gislebertus's sculpture at St. Lazare in Autun to show the medieval focus on Heaven and the afterlife. The Gothic architecture, sculpture and stained glass at St. Denis and Chartres are discussed as evidence of a new theology and profound social changes during the twelfth and early thirteenth centuries. (3) "The Early Renaissance in Italy and the North". (4) "The High Renaissance". Covers key aspects of the High Remaissance, including the advent of the artist as genius (Leonardo, Michelangelo, and Raphael), the rise of Rome as a center of artistic vitality, and Venetian preoccupation with the quality of light (Giorgione and Titian). Also examines the social turbulence of the late sixteenth century and the reinterpretation of classical architectural principles. (5) "Realms of Light". Examines the divergent themes of the baroque period, including a new emotional appeal as seen in Bernini's 'The Ecstasy of St. Teresa,' Caravaggio's naturalism, Velasquez's multilayered works, and the rise of bourgeois values as seen in Rembrandt's works. (6) "An Age of Reason, an Age of Passion". Covers the move from the rococo period to neoclassicism and romanticism. Relates stylistic changes to the French Revolution and the Napoleonic wars. Covers the work of David, Géricault, Turner, Delacroix, and Goya. (7) "Realists, Impressionists, Post-Impressionists". Contrasts Courbet's treatment of subjects from everyday life with the innovations and techniques used by the impressionists. Examines the impressionists characteristic concern with color and changing light and contrasts this with the very individualistic visions of the postimpressionists. (8) "Into the Twentieth Century". Covers the work of the Fauves, the Cubists, the international style, and the Surrealists. Discusses how these movements relate to modern life. (9) "In Our Own Time." Examines why the appearance of abstract expression caused the United States to become a center for the visual arts. Reviews the diversity of styles in the postwar period, including the work of Pollock, Warhol, Oldenburg. Also examines the explosive internationalization of the art world in the 1970s and 1980s. Written by Fiona Kelleghan {[email protected]

Consists of segments: (1) "The Classical Ideal". The origins of Western art are traced to ancient Greece through Kouroi and Korai figures, as well as by the architectures of the Pantheon. From Greece to Rome through the Hellenistic period, the program focuses on the new artistic approach to human form and violent emotions that reached its pinnacle with the altar of Zeus at Pergamun. (2) "A White Garment of Churches". Examines Romanesque and Gothic churches as evidence of the values of the societies that created them. Shows the effect of monasticism and pilgrimage on Romanesque church architecture. Uses Gislebertus's sculpture at St. Lazare in Autun to show the medieval focus on Heaven and the afterlife. The Gothic architecture, sculpture and stained glass at St. Denis and Chartres are discussed as evidence of a new theology and profound social changes during the twelfth and early thirteenth centuries. (3) "The Early Renaissance in Italy and the North". (4) "The High Renaissance". Covers key aspects of the High Remaissance, including the advent of the artist as genius (Leonardo, Michelangelo, and Raphael), the rise of Rome as a center of artistic vitality, and Venetian preoccupation with the quality of light (Giorgione and Titian). Also examines the social turbulence of the late sixteenth century and the reinterpretation of classical architectural principles. (5) "Realms of Light". Examines the divergent themes of the baroque period, including a new emotional appeal as seen in Bernini's 'The Ecstasy of St. Teresa,' Caravaggio's naturalism, Velasquez's multilayered works, and the rise of bourgeois values as seen in Rembrandt's works. (6) "An Age of Reason, an Age of Passion". Covers the move from the rococo period to neoclassicism and romanticism. Relates stylistic changes to the French Revolution and the Napoleonic wars. Covers the work of David, Géricault, Turner, Delacroix, and Goya. (7) "Realists, Impressionists, Post-Impressionists". Contrasts Courbet's treatment of subjects from everyday life with the innovations and techniques used by the impressionists. Examines the impressionists characteristic concern with color and changing light and contrasts this with the very individualistic visions of the postimpressionists. (8) "Into the Twentieth Century". Covers the work of the Fauves, the Cubists, the international style, and the Surrealists. Discusses how these movements relate to modern life. (9) "In Our Own Time." Examines why the appearance of abstract expression caused the United States to become a center for the visual arts. Reviews the diversity of styles in the postwar period, including the work of Pollock, Warhol, Oldenburg. Also examines the explosive internationalization of the art world in the 1970s and 1980s. Written by Fiona Kelleghan {[email protected]

一部充满槽点的爆笑轻喜剧，一场“有内涵”的段子人生！

一部充满槽点的爆笑轻喜剧，一场“有内涵”的段子人生！

这张DVD是1998年九月在著名的卡内基音乐厅所主办的一场演唱会实况录像。从片子的名字就可以看出，参与演出的都是那些在百老汇音乐剧舞台上风光无限的女明星们。尽管从演唱会的人员名单上我们没有发现伯纳德彼得丝(Bernadette Peters)、依莲佩姬(Elaine Page)等无可争议的天后巨星，但朱迪安德鲁斯、李萨明里尼、林达伊德等名角的登场断不会让整台演唱会名不符实。总之，如果你对百老汇著名女演员的名字和她们演唱的曲目十分熟悉，那么这张DVD就是特别为你制作的；否则，台下观众接二连三的鼓掌欢呼一定会把你搞得莫名其妙。