Zvenigora is, in terms of narrative and content, one of the most remarkable avant-garde films of an exuberantly experimental period. The film uses the central construct of a legend regarding treasure buried in Mount Zvenigora to build a montage of scenes praising Ukrainian industrialisation, attacking the European bourgeoisie, celebrating the beauty of the Ukrainian steppe and re-telling ancient myths. 　　The narrative is built upon Modernist lines, disregarding the traditional, novelistic storytelling techniques and instead using abrupt shifts in time and using the constructive devices of avant-garde poets such as Blok, Bely and Mayakovsky to create a picture of modern Ukraine that pushes in several directions at once. 　　There are some incredibly striking tableaux that require the viewers to create a structure for themselves (such as the Bolshevik soldier directing his own execution) although the climax does draw the preceding events together, combining the dialectical threads of modern industry and the old man's myth together in two exhilarating scenes. 　　The cinematography is fascinating - elements of the style of Eisenstein, Pudovkin, Protazanov and Kuleshov are recognisable, yet Zvenigora seems completely different to any of them. The juxtaposition of rapid montages, swift city tours and slow, poetic journeys around the countryside is powerful, and the mythical scenes, although winding, are beautifully realised with a dreamlike quality to them. 　　Zvenigora is not Dovzhenko's masterpiece, if only because his Earth (1930) is one of the greatest Russian films ever made. However, it is highly recommended, although if you are new to Russian film of the period it is probably not the best place to start.

一名舞者决心要将传统的邦拉舞搬上世界舞台，并准备与另一名有着自己梦想的竞争对手进行一场国际比赛。

ファンタジー世界を舞台にした国家運営シミュレーションゲーム、『Eternal Nations』。 　　そこでユーザーランキング一位を獲得した伝説のプレイヤー、伊良拓斗は、入院中に意識を失う。 　　気が付くと拓斗は、まるでゲームの中のような世界、イドラギィア大陸に降り立っていた――。 　　そこに現れたのは、『Eternal Nations』で拓斗が最も愛用していたユニット、《汚泥のアトゥ》。 　　そこで拓斗は、ある決心をする。 　　「――僕たちの国を作ろう。僕と、君だけの王国を」 　　アトゥと共に、邪悪な国家である《マイノグーラ》を設立することを決めた拓斗。 　　個性豊かなダークエルフや英雄を国民とし、 　　この世界ではチートとも言えるゲームシステムを利用しながら、 　　大好きな内政に励むのだった。