幽暗暧昧的房间内，一男一女忘情纠缠，如痴如醉。女方名叫后藤美雪(柴崎幸 饰)，是当今颇具名气和声望的女星。男方是美雪的恋人长谷川浩介(市川海老藏 饰)，虽然拥有阳刚魅力的外形，但同为演员的长谷川始终人气低迷，和美雪形成鲜明的对比。次日一早，二人走出家门，各自开车前往舞台剧排练场地，那里正在排演根据民间传说改编的经典戏剧《真四谷怪谈》。此前美雪受邀出演戏中那名拥有悲惨身世的女主角阿岩，经她大力举荐，制作方最终擢升浩介饰演男主角伊右卫门。舞台上，伊右卫门自私阴险，为了和年轻漂亮的阿梅结婚，不惜使用毒辣手段伤害阿岩。饱受折磨的阿岩在极端痛苦的折磨中死去，最终化为满怀怨念的幽灵，向伊右卫门展开复仇。而在现实世界中，伊右卫门和阿岩的故事似乎也被搬演到主要演员们的身上。就如同那个以自我为中心、见异思迁的负心汉一样，浩介移情于饰演阿梅的新人女演员朝比奈梨绪(中西美帆 饰)和美雪的助理仓田加代子(麻衣子 饰)。虽然察觉到恋人的不忠，但是美雪依然决计不顾一切包容浩介，她焦急无助，自怨自艾，与苦命的阿岩如出一辙。而在此期间，饰演宅悦的男演员铃木顺(伊藤英明 饰)尝试接近美雪。戏剧和现实的界限渐次模糊，伊右卫门无情地踢打阿岩，致令美雪感受到遍彻心腑的绝望。嫉妒、恐惧、绝望、贪爱……种种执念在美雪的心中疯长。终于，浩介在恋人的身上看到了可怕的幻影……

Swiss priest Fr. Hilber devoted his life to Taitung, focusing on improving BOTH the spiritual and material life of indigenous peoples. He founded Kung-Tung Technical Senior High School as well as the chapel on one of the buildings. He brought the best European wooden technicians to be lecturers for the students and successfully breed a great generation of furniture masters. At the same time, the chapel was selected as the 30 important modernist architectures by WMF (WORLD MONUMENTS FUND) in 2017. 　　While the reconstruction plan kicked up this July, we will revisit the building and dig out the meaning of the chapel as well as priest Fr. Hiber in the local society of Taitung and the school he founded.

在东京街头，一切成谜的吃人怪人「喰种」正悄悄在人类世界扩张他们的势力──平凡的大学生金木研因为遭到喰种猎食而性命垂危。医生为他进行了器官移植手术，然而器官提供者其实是喰种…。在病床上醒来的金木很快就感觉到身体不对劲，原本记忆中美味的食物全都走味到难以下咽。一开始，即使好几天不吃东西他也不会饿，但不久，激烈的空腹感开始折磨他。当他意识到，能引起他食欲的对象只剩下街上错身而过的男男女女。在群众中潜伏着，狩猎着人类，这个吞食着死尸的怪人，人们称其为食尸鬼，在青年和怪人相遇之时，充满波折的命运的齿轮开始转动了！

ある日、隣にきれいなお姉さん(佐山愛)が引っ越してきた。彼女はテレビの中で踊っている体操のミキお姉さんと瓜二つ…。彼女のことが気になる童貞の裕二(吉川けんじ)と単身赴任中のサラリーマン・繁(吉岡睦雄)。数日後、美樹の部屋から怪しい声が…。夢想していた裕二と繁は、次第に彼女への卑猥な欲望が募っていった。

Narrated by the incarnate ghost of a deceased real hair donor. In the post-war era, the export of real hair wigs contributed to Asia’s economic development, with Hong Kong as a major hub. In its heyday in the 1960s, ‘Asian real hair’ was popular with wealthy U.S. women, but then the USA imposed an embargo on the product, now classified as ‘communist hair’. This is where the intricate and innovatively realised story begins: Starting with complex economical and sociopolitical contexts, it weaves a thread that runs through various historical and dreamlike staged levels. 　　Hong Kong was and is a space of in-between-ness — between East and West, between communism and capitalism. Perhaps that is why there are so many spooks in the city, one protagonist speculates. Just like the well-travelled ghost, an eternally wandering entity and contemporary witness of an imperial and colonialist past. (源自: Courtisane Festival 2024)

明治末期、美貌と男まさりの侠気で人気を呼んでいる柳橋の鉄火芸者が、柳橋に賭場を開いて縄張りを拡張しようと悪らつな手段を講じる悪徳ヤクザ一家を、仲間たちの協力を得て打ち倒す。

８mmカメラを片手に映像制作を始めた男。家賃一万円のアパートに住んでいる。目の前には家族が住む、新築のマンション。面白いものを作りたいがうまくいかない。 　　単身カンボジアに行って撮影を試みるも家族から手厳しい批判を受け、自我をぶち壊すべく、より過激な映像制作に挑んでいく。

长篇现代小说《火喰鳥 羽州ぼろ鳶組》动画化决定！