Due to some common interests between German and Russian aristocracy ( the Russians even had aristocrats in their past not to mention they had an Empress called Catherine the Great, as great as this German count's heiresses… ), it is not strange that this Teutonic count has understood and even enjoyed Herr S. M. Eisenstein's "Staroye I Novoye". 　　It is not very usual that for the aristocracy to enjoy Bolshevist films full of proletarian demands that put private property at risk or as it happens in this case, a film about the Communist Party's policy on the subject of the collectivization of the Soviet agriculture. Normally this would be perfect gibberish for this German count, but thanks to Herr Eisenstein 's greatness and directorial talent, the hardships of the heroine of the film, Dame Marfa ( Dame Marfa Lapkina ) breached even the thick aristocratic Schloss walls. 　　And that's one of the first remarkable aspects of this oeuvre; in spite of the political subject of the film, the powerful images and lyricism ( astonishing and beautiful shot compositions ), especially during the first part of the movie, preserve the artistic merits entirely while serving a propaganda purpose. The second remarkable aspect of the film is the dichotomy between the old and new, the fight to improve the lot of Dame Marfa and her countrymen. There are many discussions because it is not easy even in Russia to change ancient and conservative customs. There are superb metaphors and social criticism ( illiteracy, bureaucracy, religiosity ) which perfectly fit the film, and last but not least, "Staroye I Novoye", is a kind of archaic documentary about ancient customs established deeply in old Russia, those ones that our heroine must fight against. And there is also a lot about agriculture ( very enlightening for this German count), especially about harvesting and how to fatten Russian cows or pigs ( literally, no pun here… ). 　　Herr Eisenstein had to bear during the last era of his film career, unbelievable censorship and mutilation of his work, as happens with "Staroye I Novoye". The film was reedited and Eisenstein accused of sympathizing with Trostky's policies but fortunately the film was restored and showed by the German-frenchified t.v. channel "ARTE", natürlich!, including an evocative music score by Herr Taras Bujewski, that fits superbly Herr Eisenstein primal artistic interests. 　　And now, if you'll allow me, I must temporarily take my leave because this German Count must buy a tractor for one of his Teutonic heiress.

该剧讲述妈妈和女儿一起追踪婚礼当天逃跑的新郎而展开的追击喜剧故事。

一对老友在公路旅行中被困沙漠，屡次求助无门酷暑难挡使他们暴力相向。

Morse and Lewis investigate the death of Jackie Thorn who was found bound and stabbed in her flat. The murder is a carbon copy of one that occurred 27 days previously and they assume both were committed by the same man. The team is joined by Sgt. Siobhan Maitland, a expert in crimes against women. In the course of the investigation, they find that both women had purchased their cars from the same dealer and Morse becomes convinced that the owner, Jeremy Boynton, is the culprit. When they find a third assault victim who survived an attack some 5 years previously, Morse is more convinced than ever. The only thing now is that Morse needs evidence, provided he has the right man of course.

歌颂「社会主义祖国像百花盛开的大花园」

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地下鉄浅草駅のロッカーで、「俗名・前田誠」と書かれた位牌を発見した亀井（愛川欽也）と西本（森本レオ）の両刑事。位牌の裏には、一週間先の日付が没年として記されていた。その一週間後、日光で位牌の名の人物と思しき男が殺害される事件が発生。十津川警部（高橋英樹）らは急いで日光へと向かうが…。