In 2011, the Taiwanese artist presented his play Only You, in which the character of the medieval Buddhist monk Xuanzang slowly walks across the stage for half an hour. This scene inspired him to shoot short films that contrast the slowness of walking with the speed of the surrounding events. The first of these, No Form, was shot on the streets of Taipei and revels in the duality of time and space, humorously punctuated by Nina Simone's song Feeling Good.

The key elements of electronics, such as semiconductors and display components, are produced in “clean rooms,” which are spaces where environmental conditions, including dust, are controlled. However, workers in these clean and sanitized spaces are often exposed to chemicals that are seriously hazardous to their health. Unlike immediate catastrophes, diseases caused by the accumulation of chemicals often go unnoticed and develop slowly over generations. 　　What was that sour-yet-sweet odor? Does "clean" mean that it only maximizes production stability while being far from body safety? Ironically, it is only the memories of the bodies and the faint smells of the substances passing through the clean rooms that prove the invisible toxicity and dangers of these cutting-edge technology sites. 　　Colorless Odorless follows the work records and archival materials of victims of semiconductor biohazards to trace the smells and actions of substances that cameras cannot capture. To this end, the voices of Asian women and migrant workers, who are exposed to vulnerability, are heard. Testimonies of the past are overlaid on current symptoms, and the disaster repeats itself in other bodies and places. As multinational corporations move manufacturing plants to developing countries to lower not only labor costs but also the costs of safety standards and regulatory responses, industrial disasters are also globally transferred. 　　Perhaps the future is not an abstract number, but something intertwined with specific bodies and matter. As high-tech industries lead the way in the globalization of risk and exploitation in increasingly outsourced workplaces, Colorless Odorless attempts to map out the terrain of solidarity among victims, activists, and workers' unions in the face of these risks and exploitation. (Written by Shinjae Kim, producer)

莱昂（安东尼·拉帕格利亚 Anthony LaPaglia 饰）人到中年，和妻子索尼娅（凯瑞·阿姆斯特朗 Kerry Armstrong 饰）之间的关系早已经十分疏远，名存实亡。家庭之外，莱昂有着一位交往甚密的情人简（蕾切尔·布雷克 Rachael Blake 饰），在简那里，莱昂能够短暂的找回自信和激情。 　　索尼娅察觉到了丈夫的异样，但是她选择将一切的愤怒和痛苦隐藏在心底。心理治疗师瓦莱丽（芭芭拉·赫希 Barbara Hershey 饰）是索尼娅的树洞，常常开导和安危她，可是，瓦莱丽也必须面对自己内心里的黑洞——她的女儿成为了一场谋杀案中的受害者，她至今无法从失去女儿的悲痛之中走出来。某日，瓦莱丽突然失踪了，莱昂对她的下落展开了调查。

这部电影围绕两位主角，阿雄（武俊越）饰，阿皇（阮清秀）饰。阿皇从一个家境优越的环境中长大，而阿雄则是被这个家庭收养的孩子。他们一起长大，兄弟之情渐渐地转变为同志间的爱情。接受不了自己孩子是同志，母亲燕（金庆）饰，变得惊慌失措，绝望而失去理智，最终导致了家庭悲剧的发生。 　　除了情感触动之外，这部电影在拍摄和音乐制作方面也是一大突破，取景地位于越南大叻，被誉为“爱情天堂”的这个城市也为电影增添了满满的浪漫色彩。 　　中文预告：http://v.qq.com/boke/page/s/0/p/s0150k7ex5p.html 　　主题曲《我亲爱的人啊》MV：http://v.qq.com/boke/page/b/0/j/b01508rhf5j.html

这部电影围绕两位主角，阿雄（武俊越）饰，阿皇（阮清秀）饰。阿皇从一个家境优越的环境中长大，而阿雄则是被这个家庭收养的孩子。他们一起长大，兄弟之情渐渐地转变为同志间的爱情。接受不了自己孩子是同志，母亲燕（金庆）饰，变得惊慌失措，绝望而失去理智，最终导致了家庭悲剧的发生。 　　除了情感触动之外，这部电影在拍摄和音乐制作方面也是一大突破，取景地位于越南大叻，被誉为“爱情天堂”的这个城市也为电影增添了满满的浪漫色彩。 　　中文预告：http://v.qq.com/boke/page/s/0/p/s0150k7ex5p.html 　　主题曲《我亲爱的人啊》MV：http://v.qq.com/boke/page/b/0/j/b01508rhf5j.html

美丽干练的平野瑞穗（仲间由纪惠 饰）曾经是鉴识课的一名女警，她具有高超的绘画素描技巧，任何犯人只要被她看过一眼便过目不忘，能用手中笔逼真地画下对方的模样。但是此前因某起事件，瑞穗被发配到公关课广宣课，日常只能干些端茶倒水、递送文件的杂活儿。因一起纵火案，瑞穗得以和此前有过一面之缘的刑事部搜查一课新来的刑警西岛耕辅（小田切让 饰）接触。此前西岛因暴力问题而被踢出警视厅，被迫屈居县警队伍中。 　　对鉴识课工作依旧存有念想的正义女警察瑞穗，以及自视甚高而冷漠淡定的西岛，这对奇怪的搭档将联手向各种犯罪分子发起挑战……

美丽干练的平野瑞穗（仲间由纪惠 饰）曾经是鉴识课的一名女警，她具有高超的绘画素描技巧，任何犯人只要被她看过一眼便过目不忘，能用手中笔逼真地画下对方的模样。但是此前因某起事件，瑞穗被发配到公关课广宣课，日常只能干些端茶倒水、递送文件的杂活儿。因一起纵火案，瑞穗得以和此前有过一面之缘的刑事部搜查一课新来的刑警西岛耕辅（小田切让 饰）接触。此前西岛因暴力问题而被踢出警视厅，被迫屈居县警队伍中。 　　对鉴识课工作依旧存有念想的正义女警察瑞穗，以及自视甚高而冷漠淡定的西岛，这对奇怪的搭档将联手向各种犯罪分子发起挑战……

荣获日本电影学院奖最佳导演、最佳女主角奖，《电影旬报》年度十大佳片之一，法国南特国际电影节参赛作品。 　　正子样貌平凡，性格极为内向，泰半青春也虚渡在母亲的乾洗店内。一天，母亲死了，她终于忍受不住时髦妹妹的讪笑，索性把她也送去给母亲作伴。为了逃避警方，自己孤身上路，远走他方。隐姓埋名、改头换面的她胆子练大了，开始学习自主，交朋结友。她笨拙的样子和毫不灵活的手脚让我们开心也叫我们担心，可正是她一股傻劲为自己闯出一条生路。独立电影健将阪本顺治擅写个性独特的社会反叛者，影像流丽。

该剧将原作改编至现代背景，讲述犯下杀人罪的蒙面艺人和目击杀人现场的律师之间的悬疑故事。武井饰演席卷音乐界的蒙面艺人井野圣良。她拥有美丽的脸和歌声，却以“不露面”为条件进行艺人活动——那是因为她是“杀人犯”。后藤饰演的是看到圣良从杀人现场离开的唯一目击者石冈弓子。作为一名人权派律师，她以某件事为契机与圣良再会。